中国女红文化的美育价值探讨

发布时间：2018-04-25 02:30

本文选题：女红 + 女红文化　；参考：《西南大学》2017年硕士论文

【摘要】：“女红(音gong)”是女性以纯手工的方式用针线缝制衣饰等的中国传统技艺,其主要工作包括纺织、缝纫、刺绣等。在对女红现象的研究中,笔者把重点放在女红文化的美育价值上。因为女红作品展示了很多独树一帜的视觉审美元素,也反映了女红制作者的蕙质兰心。如果将传统女红特有的艺术价值和制作者在绣制的过程中产生的情感体验作为美育的载体,引导我们开展适宜的审美实践活动,对提升审美感知、丰富审美体验和激发审美创造能力有极大的促进作用;对中国本土文化与民族归属感认同有独特的价值;特别是对女性温柔细腻、优雅端庄的气质培养有重要作用。本文主要从女红艺术的发展概况、女红的文化类型及艺术特点、女红文化的美育价值这三方面进行研究。首先,对女红是一种艺术进行了肯定,同时也肯定了女红是一种自发生成的文化体系。伴随我们三千多年的农业生产社会孕育了“以农为本”的思想和“男耕女织”的社会结构,“女红”就是在这种生活传统中应运而生。在生产力和生产关系的变化进程中女红也在不断地发展,在原始社会、封建社会和现代社会有不同的表现形式。又因为自然环境、礼制文化、民族习惯等内外条件的不同,女红风格亦呈现地域性差异,整体上表现为北方女红的自由奔放和南方女红的精致细腻。其次,因女红制作者文化层次和女红物品使用对象不同等因素,使得中国女红艺术呈现类型和功能的多样性:如有职业工匠所绣制的官方女红;悠闲女子绣制的文人女红;家庭主妇绣制的民间女红等。而民间女红以其“根”性文化特征支撑着整个民族的文化传承,广泛而深刻地点缀在人们生活的方方面面,其所蕴含的“真”“善”“美”兼具的审美价值成为女红文化的集大成者,因此本文论述的重心是民间女红。最后,本文对女红文化的美育价值进行了归纳。从情感寄托到文学传播;从绣制过程到著名绣品;从人文交流到女性气质;从模仿绣制到设计创作等。可以发现,女红艺术从创作过程到成品到欣赏都饱含丰富的审美教育资源。女红作为美育的载体,贴近家庭、贴近生活,因其艺术的独特性,使得美育活动具有可参与可操作可欣赏可传播的优势。如果将女红艺术融入到文化传承中,融入到学校美育和家庭美育中,作为一种生活美学观,或许我们能收获更多甜蜜和幸福!这也是我研究如此美丽的女红现象的初衷和愿景。
[Abstract]:"female gong" is a traditional Chinese technique of sewing, sewing, embroidery and so on by women in a pure hand way. The main work includes textile, sewing, embroidery and so on. In the study of female red phenomenon, the author focuses on the aesthetic value of female red culture. Because female red works show a lot of unique visual aesthetic elements, but also reflects the female red manufacturer's cymbidium heart. If we regard the unique artistic value of traditional female red and the emotional experience produced by the manufacturer in the process of embroidery as the carrier of aesthetic education, we should be guided to carry out appropriate aesthetic practice activities to promote aesthetic perception. Enriching aesthetic experience and arousing aesthetic creative ability has great promoting effect; it has unique value to Chinese native culture and national sense of belonging; especially it plays an important role in the cultivation of women's gentle and delicate elegant and dignified temperament. This article mainly from the female red art development survey, female red culture type and the artistic characteristic, the female red culture esthetic education value these three aspects carries on the research. First of all, it affirms that female red is a kind of art, and also affirms that female red is a kind of spontaneous cultural system. Along with our agricultural production society for more than three thousand years, the idea of "taking agriculture as the foundation" and the social structure of "men's and women's weaving" were conceived, and "female red" came into being in this kind of life tradition. In the process of the change of productive forces and relations of production, female red has been developing constantly. In primitive society, feudal society and modern society have different forms of expression. Because of the differences of natural environment, ritual culture, national customs and other internal and external conditions, the female red style also presents regional differences, the overall performance is the north female red free and unrestrained and the southern female red delicate and delicate. Secondly, due to the different cultural levels of female red producers and the different objects used in female red articles, the Chinese female red art presents diversity of types and functions, such as official female red embroidered by professional artisans, literati red women embroidered by leisurely women; Housewife embroidered folk women, etc. And folk female red with its "root" cultural characteristics support the cultural heritage of the whole nation, widely and profoundly embellished in all aspects of people's lives, The aesthetic value of "truth" and "goodness" and "beauty" has become the epitome of female red culture, so the focus of this paper is folk female red. Finally, this paper summarizes the aesthetic value of female red culture. From emotional sustenance to literary communication; from embroidery process to famous embroidery; from humanistic communication to femininity; from imitation embroidery to design creation. It can be found that female red art is rich in aesthetic education resources from creation process to finished product to appreciation. As the carrier of aesthetic education, female red is close to family and life. Because of its unique art, aesthetic education activities have the advantage of being operable, appreciable and transmissible. If the female red art into the cultural heritage, into the school aesthetic education and family aesthetic education, as a life aesthetics, perhaps we can harvest more sweet and happy!!! This is also my original intention and vision to study such beautiful female red phenomenon.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS93

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