论当代版画创作中的简约化倾向

发布时间：2018-04-27 13:00

本文选题：艺术 + 版画　；参考：《鲁迅美术学院》2017年硕士论文

【摘要】：现如今社会发展的极其迅速,许多不安的因素充斥着人们脆弱的心灵,急需一种安静来进行调和,这个时候充满简约化倾向的事物符合人们内心寻求安逸自然的心理。人们一直试图将复杂的过程变得清晰合理简约化,目的是用最少的投入换取最大的回报,第三次工业革命后,这种需求变得更强烈,在这种社会环境下简约主义随之而生。艺术当中的简约化倾向主要体现在艺术家在进行创作的时候,开始尝试用“少”的因素去解决问题,此时的艺术无论从绘画还是设计当中都涌现着一股简约化潮流。本文从本专业的角度来说明一些简约化“风暴”所带来的现象以及产生现象的原因,通过文献研究法以及大量事例解释版画当中的简约化倾向,并寻求在西方和东方的历史发展中寻找理论基础,西方的包豪斯主义、东方的“少即是多”说明着简约化的这种风格并不是时代特有,而且是不分地域不分种族的,这也体现了真理是全人类共有的,是事物发展到一定阶段必然结合的历史规律。本文一共分为四个部分,第一部分首先交代了简约化所产生的社会背景以及社会现象,由此引入版画当中的简约化倾向的现象,通过对具体事例的分析说明简约化倾向是存在的并且发挥了作用。第二部分解释了什么是简约主义倾向以及简约化的特点,从这个方面说明产生简约化的动机。第三部分交代了简约化倾向并不是今天才有的,在西方包豪斯理论中以及东方传统哲学当中都是有所体现的,这为我们如今的简约化提供了强有力的理论作为基础,同时也让我们更清晰明了的认识简约化。第四部分中,将简约化与非简约化同时作为比较,并不是所有事物都适合简约的,所以简约只是一种认知方式或行为导向,为我们在生活或是艺术创作当中提供一种多样选择。
[Abstract]:Nowadays, the society is developing very quickly, many uneasiness factors are filled with people's fragile mind, need a kind of quiet to carry on the reconciliation, at this time the thing that is full of the simplicity tendency accords with people's mind of seeking comfort and nature. People have been trying to make complex processes clear and reasonable, with the aim of getting the maximum return with the least input, the demand became stronger after the third Industrial Revolution, and in this social environment, minimalism followed. The tendency of minimization in art is mainly reflected in the artist's attempt to solve the problem with the factor of "less" when he is creating. At this time, there is a trend of minimization in both painting and design. This paper explains some phenomena brought about by "storm" and the causes of them from the perspective of this major, and explains the tendency of minimization in printmaking through literature research and a large number of examples. And seeks to find the theoretical basis in the historical development of the West and the East. The Western Bauhaus doctrine and the Eastern "less is more" show that this style of simplicity is not unique to the times, and it is regardless of region and race. This also reflects the truth is common to all mankind, is the development of things to a certain stage of inevitable integration of the historical law. This paper is divided into four parts. The first part explains the social background and social phenomenon of minimization, and then introduces the phenomenon of minimization tendency in print. The analysis of concrete examples shows that the tendency of minimization exists and plays an important role. The second part explains what is the tendency of minimalism and the characteristics of minimization. The third part explains that the tendency of minimization is not only present today, but also embodied in the western Bauhaus theory and in the traditional philosophy of the East, which provides a strong theoretical basis for our present-day minimization. At the same time, it also gives us a clearer understanding of simplicity. In the fourth part, the comparison between minimization and non-minimization is not suitable for all things, so simplicity is just a cognitive or behavior-oriented way, which provides us with a variety of choices in our life or artistic creation.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

【参考文献】