藏族传统吉祥图案研究及其在服装设计领域的应用分析

发布时间：2018-06-15 06:47

本文选题：吉祥文化 + 藏族　；参考：《北京服装学院》2015年硕士论文

【摘要】：随着中国与世界的交流范围不断的拓展和深入，今天的青年一代受到的文化影响力更多的是来自国外各种强势文化对视听的反复刺激，以致于很多年轻人对自身和所处的环境产生混乱的幻觉，，处于一种价值观迷失的状态，而中国的一些品牌或者设计师由于对传统文化的认识大多停留在表面，缺乏对其深层次的理解与探索，产生独立思考能力与观念性创新能力的不足。由于心浮气躁和缺乏文化生活根基，在设计的过程中出现很多为追求短期效益而通盘模仿国际大牌，或者硬性的照搬传统文化元素的现象。这样设计出来的作品只能依赖片面的偶然性，缺乏对设计规律性的把握，难以呈现出中华本土文化和民族民间文化的审美力量，当然也就难以唤起人们的情感共鸣，从而造成许多缺乏社会责任感的平庸甚至拙劣的设计和产品，造成大量资源的浪费。中华民族是一个重视祈福的民族，吉祥文化源远流长。传统吉祥文化图案具有普世的价值，反映着人们生活的现实样貌，流露着真实的情感，传递着希望的心声，因此具备着重要的研究意义。藏族吉祥图案具有鲜明的艺术表现力和独特的地域性、历史性、人文性，至今古风犹存，文化脉络清晰，保存较为完好，是比较适宜研究吉祥文化的切入点。本文以图案作为研究民族本土传统文化的切入点，结合对其在服装设计领域中的应用现状的研究，以图案蕴涵的吉祥文化之美形与美意作为研究的理论依据，为传统图案在服装领域的应用与传承进行一些思维观念与设计方法的探索。目前国内已经注意服饰文化研究的重要性，取得了许多有价值的研究成果，在前人丰硕的成果基础上，本文将以对服饰文化的研究和更大的社会历史人文背景之下的民族精神研究融为一体的方式探索服装文化的发展规律。本文从对具有鲜明文化特色的藏族传统吉祥图案的研究作为切入点探索与借鉴藏族文化在立足自我实际的基础上通过不断与外界进行文化的接纳，碰撞，转换，包容来丰富丰满和传承自身的方式与方法。旨在能够作出根植传统文化，适应现代生活方式与生产实践，引导未来需要具有连贯性的设计作品。论文的第一章主要介绍了选题的目的，意义和价值以及研究思路；第二章主要分别论述吉祥文化，藏族吉祥图案的形成原因、原理及其审美特点；第三章主要分析藏族吉祥图案内容的题材，历史发展过程，内在含义和派生演化的规律特点；第四章主要研究了在藏族本地的服饰品牌对藏族吉祥图案的运用方式和现代时尚服饰品牌对藏族吉祥图案的应用方式；第五章论述了藏族吉祥图案的创新要点；第六章对藏族吉祥图案的特性和运用方法进行了概括性总结。
[Abstract]:With the continuous expansion and deepening of the scope of communication between China and the world, the cultural influence of today's young generation is more and more stimulated by various powerful cultures from abroad. As a result, many young people have the illusion of confusion about themselves and their environment, and they are in a state of loss of values, while some brands or designers in China, because of their knowledge of traditional culture, mostly stay on the surface. The lack of deep understanding and exploration leads to the deficiency of independent thinking ability and conceptual innovation ability. Because of impatience and lack of foundation of cultural life, there are many phenomena in the process of design, such as overall imitation of international brands for the sake of short-term benefit, or rigid copying of traditional cultural elements. The works designed in this way can only rely on one-sided contingency and lack the grasp of the design regularity, and it is difficult to present the aesthetic power of Chinese native culture and national folk culture, and of course it is difficult to arouse people's emotional resonance. As a result, many mediocre and even poor design and products lack of social responsibility, resulting in a lot of waste of resources. The Chinese nation is a blessed nation with a long history of auspicious culture. The traditional auspicious cultural patterns have universal value, reflect the realistic appearance of people's life, exude the true emotion and transmit the hope's voice, so it has the important research significance. Tibetan auspicious patterns with distinct artistic expression and unique regional, historical, humanistic, ancient style still exist, cultural context is clear, relatively well-preserved, is more suitable for the study of auspicious culture entry point. This paper takes the pattern as the starting point to study the traditional culture of the nation, combined with the research on its application in the field of clothing design, and takes the beauty and beauty of the auspicious culture implied by the pattern as the theoretical basis for the study. This paper explores some thinking ideas and design methods for the application and inheritance of traditional patterns in the field of clothing. At present, attention has been paid to the importance of clothing culture research in China, and many valuable research results have been obtained, on the basis of the fruitful achievements of the predecessors. In this paper, the research on costume culture and the study of national spirit under the background of social history and humanities will be combined to explore the development law of clothing culture. From the point of view of the study of Tibetan traditional auspicious patterns with distinct cultural characteristics, this paper explores and draws lessons from Tibetan culture on the basis of self-reality through the continuous cultural acceptance, collision and transformation with the outside world. Tolerance to enrich the fullness and inheritance of their own ways and methods. The aim is to be able to establish traditional culture, adapt to modern life style and production practice, and guide future design works with coherence. The first chapter mainly introduces the purpose, significance, value and research ideas of the topic, the second chapter mainly discusses the auspicious culture, the formation of Tibetan auspicious patterns, principles and aesthetic characteristics; The third chapter mainly analyzes the Tibetan auspicious pattern content theme, the historical development process, the inherent meaning and the derivative evolution rule characteristic; The fourth chapter mainly studies the application of Tibetan auspicious patterns in Tibetan local clothing brands and the application of modern fashion clothing brands to Tibetan auspicious patterns, the fifth chapter discusses the innovation points of Tibetan auspicious patterns. Chapter six summarizes the characteristics and application methods of Tibetan auspicious patterns.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TS941.2

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