中国苏州地区古典门纹样在现代设计中的审美蕴意
发布时间：2018-10-04 18:45
【摘要】：中国苏州地区古典门的纹样种类繁多,装饰功能划分详细,富有强烈的历史意义与文化内涵。同时,传统纹样秉承了中国传统文化之美,表现出了当时人们的审美情趣与艺术高度。门的演变和种类是在中国历史和文化的大环境中改变和产生的,在演变的过程中受到了历史、文化、地域、环境等诸多方面的影响,具有强烈的历史性、地域性的同时又存在着共通性,苏州园林中的古典门的传统纹样种类繁、多变化多样,汲取了中国多元文化的精髓,文化是一个民族的瑰宝,也是一个民族的脊梁,中国的一部分传统文化通过门上的纹样被记录和保留了下来,并且被传承与弘扬。这些纹样是中国部分文化的结晶,细细品读这些纹样就能感受到浓浓地中华传统文化的气息。然而,在这许许多多文化之中才培养出了这一点点的艺术,正是这样的艺术才是中国传统门纹样的美之根本。但是,在全球掀起的现代主义浪潮的驱动下,传统的中国纹样渐渐走出了人们的视野,成为了中国装饰历史的一部分。实际上,当我们用现代的美学理论去审视这些传统纹样时,便会发现它们所具备的美也是符合和适用于现如今我们所提倡的和认可的审美标准。因此,我认为在中国社会中如果要完成一个现代主义风格的设计,设计师们应该更多地注重加入中国传统纹样的设计元素,具有中国传统文化符号意义的纹样将会自然而然地成为设计中更被中国社会所接受、更能融于中国社会的设计语言。在中国大地之上让更多的设计师从传统文化中汲取设计元素,注重设计的本土化才是我国设计师追求的目标。
[Abstract]:The classical door in Suzhou area of China has a wide variety of patterns and detailed decorative functions, which has strong historical significance and cultural connotation. At the same time, the traditional pattern inherits the beauty of Chinese traditional culture, showing the aesthetic sentiment and artistic height of people at that time. The evolution and variety of the door were changed and produced in the general environment of Chinese history and culture. In the process of evolution, it was influenced by many aspects, such as history, culture, region, environment and so on. The traditional patterns of classical doors in Suzhou gardens are numerous and varied, drawing on the quintessence of Chinese multiculturalism, which is the treasure of a nation and the backbone of a nation. Part of Chinese traditional culture is recorded and preserved through the patterns on the door, and is passed on and carried forward. These patterns are the crystallization of some Chinese culture. However, this little art has been cultivated in so many cultures, which is the essence of the beauty of Chinese traditional door patterns. However, driven by the global modernism tide, the traditional Chinese pattern has gradually gone out of people's vision and become a part of the history of Chinese decoration. In fact, when we examine these traditional patterns with the modern aesthetic theory, we will find that the beauty they possess conforms to and applies to the aesthetic standards that we advocate and approve today. Therefore, I think that if we want to complete the design of a modernist style in Chinese society, designers should pay more attention to adding Chinese traditional pattern design elements. Patterns with the symbolic meaning of Chinese traditional culture will naturally become the design language that is more accepted by the Chinese society and more integrated into the Chinese society. Let more designers draw design elements from the traditional culture on the land of China, and pay attention to the localization of design is the goal that our designers pursue.
【学位授予单位】：北方工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J522
[Abstract]:The classical door in Suzhou area of China has a wide variety of patterns and detailed decorative functions, which has strong historical significance and cultural connotation. At the same time, the traditional pattern inherits the beauty of Chinese traditional culture, showing the aesthetic sentiment and artistic height of people at that time. The evolution and variety of the door were changed and produced in the general environment of Chinese history and culture. In the process of evolution, it was influenced by many aspects, such as history, culture, region, environment and so on. The traditional patterns of classical doors in Suzhou gardens are numerous and varied, drawing on the quintessence of Chinese multiculturalism, which is the treasure of a nation and the backbone of a nation. Part of Chinese traditional culture is recorded and preserved through the patterns on the door, and is passed on and carried forward. These patterns are the crystallization of some Chinese culture. However, this little art has been cultivated in so many cultures, which is the essence of the beauty of Chinese traditional door patterns. However, driven by the global modernism tide, the traditional Chinese pattern has gradually gone out of people's vision and become a part of the history of Chinese decoration. In fact, when we examine these traditional patterns with the modern aesthetic theory, we will find that the beauty they possess conforms to and applies to the aesthetic standards that we advocate and approve today. Therefore, I think that if we want to complete the design of a modernist style in Chinese society, designers should pay more attention to adding Chinese traditional pattern design elements. Patterns with the symbolic meaning of Chinese traditional culture will naturally become the design language that is more accepted by the Chinese society and more integrated into the Chinese society. Let more designers draw design elements from the traditional culture on the land of China, and pay attention to the localization of design is the goal that our designers pursue.
【学位授予单位】：北方工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J522
【参考文献】
相关期刊论文 前3条
1 谢邵阳;;唐代诗人笔下的“玉壶冰”[J];课外语文;2013年18期
2 程l，
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