动与静—蒙克与勃克林绘画意境的比较研究

发布时间：2017-12-27 12:08

本文关键词：动与静—蒙克与勃克林绘画意境的比较研究　出处：《东北师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：“动”与“静”的形态常体现在中国画中,但也普遍存在于西方绘画作品中,艺术家把“动”与“静”作为表现生命的面貌的角度来体现。“动”与“静”关系以多样的方式存在画面中:构图的结构、笔触的运用、空间的营造、形神的体现等,都能从“动”与“静”的角度去分析便于深度理解。意境这一概念是美学中一个非常重要的课题,主观范畴的“意”和客观范畴的“境”两者和谐统一,沟通组成了一种全新的艺术境界。这一艺术内容极为丰富,“意”是情与理的统一,“境”是形与神的统一。在两者结合统一的过程中,主观心灵的表现与客观景物的体现相交融相制约,而形成了浑然一体的艺术意境。艺术意境最终要追求并实现的就是把“动”与“静”相结合来把握宇宙对生命与本体的探索。本文结合蒙克和勃克林的代表性作品在同样的社会背景下,对生死主体绘画表现出相对立的艺术形态分析。蒙克的《呐喊》中所表达出的“动”与自己的惨痛的生活相互连接,又能超越自己成为这个时代的情绪缩影,读到的是强烈绝望情绪与抗争情绪,他表达了世纪末人类精神极度苦闷的强烈情绪。而勃克林的《死亡之岛》中所表达的“静”是将客观抽离的自然景物与梦想中的想象世界相结合并把精心挑选的意象加以统一寻求从客观现实存在中超脱出来的内心世界,并把这样的主观情感引渡到虚幻的彼岸世界。本文以动静问题作为基点比较蒙克与勃克林的绘画意境、深入研究绘画的形成,及其内在的联系,从而实现指导绘画创作的目的。
[Abstract]:The form of "moving" and "static" is often reflected in Chinese paintings, but it is also commonly found in western paintings. The artist shows "moving" and "static" as the expression of the appearance of life. "Dynamic" and "static" relationship exists in a variety of ways in the picture: the composition of the structure, the use of a space, brushwork, spirit of the embodiment, can from the "dynamic" and "static" point of view to understand the depth of. The concept of artistic conception is a very important topic in aesthetics. The harmony between the "meaning" of subjective category and the "environment" of objective category constitutes a brand new artistic realm. This art is very rich in content, "meaning" is the unity of love and reason, and "border" is the unity of form and God. In the process of the combination of the two, the expression of the subjective mind and the embodiment of the objective scene are intersected, and the artistic conception of a whole is formed. The ultimate pursuit and Realization of artistic conception is to combine "movement" and "Quietness" to grasp the universe's exploration of life and noumenon. Combining the representative works of Monck and Bcklin in the same social background, this paper shows an analysis of the art form of the painting of the subject of life and death. The expression of "crying" in Monck's cry is connected with his miserable life, and can surpass himself to become the miniature of the times. He reads intense despair and resistance. He expresses the intense emotion of human spirit in the end of the century. Bcklin's "death island" in the expression of the "static" is the objective nature scenery and dream away from the smoke in the imaginary world of the combination of the selected image to be unified to the existence of detached from the inner world of objective reality, and the subjective feelings of extradition to unreal world. Based on the static and dynamic problems, this paper compares the artistic conception of Monck and Bcklin, deeply studies the formation of painting and its internal relations, so as to achieve the purpose of guiding painting creation.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J205

【共引文献】