论抽象表现形式在版画中的体现

发布时间：2017-12-27 14:26

本文关键词：论抽象表现形式在版画中的体现　出处：《沈阳大学》2016年硕士论文　论文类型：学位论文

【摘要】：版画,是个性及多元的绘画门类。绘画语言凝重、沉稳,表现形式简洁、高雅。版画创作者的精神表达始终和社会思想构成一种独特的文化体系。在西方艺术发展史中,版画占据着重要的学术和历史地位。从最初的复制版画到画家的自我创作,呈现出多种技法的创新,不断在画面内容上加以丰富。将抽象形式融入到版画语言当中体现出主体的精神风貌及文化修养。本文的研究目的是探究在版画中,创作者将主观逻辑思维与情感进行处理,转化为抽象符号融入到版画语言之中,从而超越材料介质本身进入艺术范畴,并揭示抽象元素给版画创作带来的思索及启发。在收集大量的相关文献、材料的基础上,对抽象形式进行分析说明。在传统版画表现的内容上,研究抽象元素与版画语言二者之间的关联性,尤其是对抽象表现形式在版画中的体现以及抽象表现形式对现代版画创作的影响。本论文核心内容分为五部分,第一部分,对版画与表现形式及抽象审美的特质进行概述。第二部分,是对抽象元素的构建特点进行深入分析。第三部分,针对版画的表现语言与抽象符号之间的关联性,以及每一个抽象元素与版画语言相结合进行论述。从绘画本体上探究表现形式的内在精神。第四部分,将现代版画的表现对传统版画的影响,并阐释二者之间的区别以及现代材料介质的呈现带给画面中的价值。第五部分,抽象的表现形式对今后的版画发展引起的效应,以及对当今的版画创作发展得到的启迪。吸取前辈的版画创作精随,对未来的创作能有所启发,不断提升自我专业艺术素养,转化为自己独有的绘画语言。
[Abstract]:Engraving is a category of personality and multiple paintings. The painting language is heavy and steady, and the expression is simple and elegant. The spiritual expression of the engraving creator has always formed a unique cultural system with the social thought. In the history of Western art development, engraving occupies an important position of academic and historical. From the original copy of the print to the artist's self creation, a variety of technical innovations have been presented, and they are constantly enriched in the content of the picture. The abstract form is incorporated into the engraving language to reflect the spiritual style and cultural accomplishment of the main body. The purpose of this study is to explore the prints, the creator of subjective logic thinking and emotion processing, transformed into abstract symbols into the print language, which go beyond the material itself into the art category, and reveals the thinking and Inspiration of abstract elements brought printmaking. On the basis of collecting a large number of relevant documents and materials, the abstract forms are analyzed and explained. In the content of traditional prints, we study the relationship between the two elements of abstract and print language, especially the expression of abstract expression in print and the influence of abstract expression on modern print creation. The core content of this paper is divided into five parts. The first part is an overview of the print and the form of expression and the characteristics of the abstract aesthetic. The second part is to make an in-depth analysis of the characteristics of the construction of the abstract elements. The third part deals with the association between the expressive language of the print and the abstract symbol, and the combination of the abstract elements and the engraving language. The inner spirit of the form of expression is explored from the ontology of painting. The fourth part, the influence of modern print performance on traditional print, and explain the difference between the two, as well as the presentation of modern material medium to bring the value of the picture. The fifth part, the abstract expression of the effect of the development of the future print, as well as the development of the creation of today's print. Drawing on the creation of the engraving of the predecessors, it can enlighten the future creation, constantly improve the self - professional artistic accomplishment, and transform it into his own unique painting language.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J217

【相似文献】