王绂的雅集图与明初文艺风尚的转变

发布时间：2017-12-28 02:10

本文关键词：王绂的雅集图与明初文艺风尚的转变　出处：《西部学刊》2016年01期 　论文类型：期刊论文

【摘要】：王绂的雅集图取意于《华灯侍宴图》,将元末山水风格诠释为清雅的文艺品味。翰林又将林下生活解释为朝堂君子宴乐闲适的表征,推进雅集的政治化步伐。翰林还受到具体雅集情境的影响,引入高迈阳刚的个性气质和言志担当的公共意志,显示成祖初期翰林独立自足的主体意识和卫国济民的担当精神。这些都说明身处过渡中的明初翰林在寻找合适的文艺风尚时徘徊于情感抒写和文化品味之间,显示了文艺风尚由清泠之风向雍容舒缓之风转变的轨迹。
[Abstract]:Wang Fu intended to take "scholars gathering picture lantern feast", will be at the end of the yuan landscape style interpretation of elegant literary taste. The imperial will forest life explained for the characterization of a gentleman of leisure pleasure, promote the pace of the political gathering. Hanlin is also affected by the specific situation of the gathering, the introduction of good masculine personality and will play the public will display the main independent Early Imperial Emperor consciousness and patriotic Jimin play spirit. These are illustrated in the transition in the Ming Imperial looking for suitable literary fashion when hovering between express emotions and cultural taste, showing art fashion consists of wind chilly and soothing wind trajectory.
【作者单位】：湖北师范学院;
【基金】：湖北省教育厅教育科学规划十二五项目“文化传播学视野下明代教化图像研究及对高校美术创作的启示”(项目编号:2015GB104)
【分类号】：J212
【正文快照】： 明代官场流行雅集唱和,其中正统初年杨士奇组织的杏园雅集最为出名。此次雅集中,三杨与翰林同僚们赋诗作序,宣扬隐于庙堂的生活观念,指出翰林负有歌咏盛世太平的责任。谢环绘图写影,表现三杨鉴赏古玩、丝竹清谈等雅集活动,再现“于于冠衣”的大夫形象,突出“备菁莪之仪”的翰

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