山西襄垣地区炕围画艺术的田野调查

发布时间：2018-01-02 15:27

本文关键词：山西襄垣地区炕围画艺术的田野调查　出处：《内蒙古大学艺术学院学报》2016年04期 　论文类型：期刊论文

【摘要】：在山西民间艺术炕围画界素有"南垣(襄垣)北代(代县),原平不赖"的说法。襄垣县的炕围画在上党地区乃至山西全省可谓独树一帜。它不仅有着独特的艺术风格,而且还有着鲜明的地域文化特色,已于2008年被收入第二批"国家级非物质文化遗产"名录。近年来,随着人们生活条件的不断提高,特别是居住方式的变化,窑洞、土炕已逐步退出人们的生活舞台,依托土炕而存在的炕围画也濒临灭绝,炕围画老艺人们的生存空间也慢慢的变小。本文通过对炕围画的生存环境、炕围画制作的工艺流程、传承及保护来阐释并还原山西襄垣地区的炕围画艺术特色,唤起人们对这一非遗项目的记忆与关注。
[Abstract]:In Shanxi folk art painting known as "Kang Wai Nanyuan (Xiangyuan), Yuanping (on behalf of) the northern Great". Xiangyuan County, Kang Wai paintings in Shangdang area in Shanxi province and even the has become an independent school. It not only has a unique artistic style, but also a distinctive geographical and cultural characteristics, has been in 2008 the income of the second batch of national intangible cultural heritage. In recent years, with the continuous improvement of living conditions, especially the change of living style, caves, Tukang has gradually withdrawn from the people's life and the existence of the stage, relying on the Tukang Kang Wai paintings are on the verge of extinction, Kang Wai paintings old arts people living space slowly become smaller. Based on the Kang Wai painting environment, Kang Wai painting production process, inheritance and protection to interpret and restore the Shanxi area of Xiangyuan Kang Wai painting art characteristics, arouse people's memory and attention to the non heritage items.

【作者单位】：内蒙古大学艺术学院;
【基金】：国家社科基金项目“国家话语与民间文学的理论建构(1949-1966)”(项目编号:13CZW090)系列论文之一
【分类号】：J205
【正文快照】： 一、山西省襄垣地区炕围画元好问留下《读书山居》等。久而久之,襄垣的人文地理环境及历史概况人文气息越来越厚重,以襄垣为土壤生长的“乡土之花”炕围画也充满着浓厚的文化气息。襄垣,雄踞太行西麓,位于晋地东南,上党(1)襄垣是上党最早的古地。“县以城得名,两盆地之北。襄

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