浅析在《罔山》创作中对中国山水意象的实践与思考

发布时间：2018-01-02 23:03

本文关键词：浅析在《罔山》创作中对中国山水意象的实践与思考　出处：《北京服装学院》2015年硕士论文　论文类型：学位论文

【摘要】：庄子《天地》中有一个“象罔寻珠”故事，，最后“象罔”找到了黄帝丢失的玄珠。“象”即形象，“罔”即空，“象罔”就是无形象，正是因为无心于形象，就是没有刻意的去在寻找它的踪迹，反而才能最终能将它找到。在中国哲学中“罔”及空有着特殊的意义和内涵，它从中国哲学出发，渗透到了中国的思想、文化、艺术等诸多方面。文人山水之所以能够成为中国画的重要形式，与这种重视“空”的美学思想有着密切的关系。中国文人与山有着与生俱来的气质相投，所以中国文人的隐逸之情总是和山水相伴。《罔山》创作灵感来源于中国文人山水，在形式上借鉴了园林文化中漏窗和洞门“方与圆”的造型，在材料表达上选择了白瓷素胎。随着《罔山》创作的深入，笔者对于中国文人山水所要传达的，人与人，人与社会，人与自然之间关系有了新的思索，引发出当今人们蜗居于钢筋混凝土的现代城市状态下的一种思考。
[Abstract]:< > Chuang-tzu world has a "Xiangwang pearlcatcher" story, finally found the Yellow Emperor "Xiangwang" lost xuanzhu. "Like" image, "useless" is empty, "Xiangwang" is an image, it is because of lack of interest in the image, is not deliberately looking for it the trail, but ultimately it can find. In the China philosophy of "useless" and empty has the meaning and connotation of special, starting from the Chinese philosophy permeated China thought, culture, art and other aspects. The writer landscape has become an important form of China painting, and the emphasis on "empty" aesthetics are closely related. China literati and the mountain has an innate congenial temperament, so China literati hermit feelings and always accompanied by mountains and rivers. > Okayama inspired by Chinese literati landscape, in the form of reference and the "cultural landscape. With the round shape, the white porcelain wadding in material expression. With the < > Okayama creation deeply, the author wants to convey to China literati landscape, people and people, people and society, the relationship between man and nature is a new thinking, a thinking of the people living in the reinforced concrete of the modern city state.

【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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