南北方水印版画的比较与研究

发布时间：2018-01-19 11:14

本文关键词： 水印版画南北方地域性　出处：《上海师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：中国水印版画是以水性颜料印刷,产生的一种具有“水味”的版画形式,发展至今已有两千多年的历史。在这漫长的过程中,水印版画的表现形式、艺术风格,随着自然环境、制作方式、文化背景因素的不断变化而转变,逐渐从古代的复制版画蜕变为现代的创作版画。中国现代水印木刻几乎与新兴木刻同时期发展起来,汲取了中国传统绘画的精髓,立足于中国民族审美的基础之上,具有鲜明的民族特色。我国疆域辽阔、民族众多,截然不同的自然条件、绚烂多彩的民族文化造就了各地不同的风情人文特色,使得我国南方和北方人文地理也有较大的差别,导致了南、北方艺术家在水印版画创作中的风格各有千秋。由于南、北方气候条件与水印版画印刷条件、环境的区别,所以造就了不同地域的印制技法、表现形式以及人们审美趣味的不同。因此笔者希望能通过对水印木刻的历史梳理以及南、北方水印版画的深入探索与比较,推进和完善水印木刻的认识与研究。目前,中国现代水印版画在中国南、北方已形成各具代表的现代水印版画群体。本论文主要是以南方的江苏水印版画、以及北方的北大荒水印版画为例,通过查阅相关文献资料,分析其南、北方水印版画的相似点与不同点,深入探究造成其风格迥异的因素。如今,水印技术是一种创作手法,不仅仅是复制的作用,更是传达地域文化,乃至民族文化的艺术形式。历史遗留下来精美的水印版画作品,都是宝贵的、丰厚的文化遗产,这些都让我们更应该重新审视水印版画存在的价值。深入挖掘水印版画内在的文化内涵,使得这门具有悠久历史的传统技艺能够继续传承。
[Abstract]:Chinese watermarked printmaking is a water-based pigment printing, which has a "water flavor" printmaking form, which has a history of more than 2,000 years. In this long process, the expression of watermarked printmaking, artistic style. Along with the natural environment, the production method, the cultural background factor unceasing change and change. Gradually from the ancient reproduction of printmaking to modern creative printmaking. Chinese modern watermarked woodcut almost developed with the same period of emerging woodcut, absorbing the essence of traditional Chinese painting. Based on the Chinese national aesthetic basis, with distinct national characteristics. China has a vast territory, a large number of nationalities, completely different natural conditions. Colorful national culture has created different cultural characteristics of different places, so that there are great differences between the southern and northern human geography, leading to the South. Northern artists in the creation of watermarked prints have their own styles. Due to the climate conditions in the south and the north and watermarked printmaking conditions, the difference between the environment, so the printing techniques of different regions have been created. Therefore, the author hopes to comb the history of the watermark woodcut and to explore and compare the watermarked woodcut in the south and the north. Promote and improve the understanding and research of watermark woodcut. At present, Chinese modern watermarked printmaking in the south and north of China has formed representative groups of modern watermarked printmaking. This paper is mainly based on Jiangsu watermarked printmaking in the south. As well as the north of the Beidahuang watermarked printmaking as an example, through the reference of relevant literature, analysis of the similarities and differences between the north and south watermarks, in-depth exploration of the factors that cause its different styles. Now. Watermark technology is a creative technique, not only the role of replication, but also to convey regional culture, and even the art form of national culture. Because of the rich cultural heritage, we should re-examine the value of watermark printmaking, and dig into the inherent cultural connotation of watermark printmaking, so that this traditional technology with a long history can continue to be passed on.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

【参考文献】