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抗争的轨迹—试论中西方女性油画家笔下的女性形象

发布时间:2018-01-21 13:11

  本文关键词: 西方 中国 女性形象 出处:《西安美术学院》2017年硕士论文 论文类型:学位论文


【摘要】:从古至今人类的艺术发展历史长河中,女性形象的艺术品一直都占据着非常重要的地位,早已经成为艺术史上非常重要的一个部分。但女性艺术家的逐步觉醒与崛起,则是相对来说时间不长的事情。女性对于自身形象的描绘,在很大程度上反映了女性对自我认识的定位,反映了男女平权问题在不同历史时期的反映。欧美和中国都经历了女性艺术家从开始出现,到逐步崭露头角的过程。这个过程都是伴随着近代化和现代化历程而进行的,故而双方的发展轨迹有一定的相似性,又在不同的历史文化背景下,呈现出各自不同的特色。中国油画界作为欧美油画的学习者,在双方女性艺术家发展轨迹的对比中,可以更好得找到自己未来发展的方向。
[Abstract]:In the long history of human art development from ancient to present, the art of female image has always occupied a very important position. It has already become a very important part in the history of art. But the gradual awakening and rising of female artists is relatively short of time. To a large extent, it reflects the orientation of women's self-awareness and the reflection of the equal rights of men and women in different historical periods. Both Europe and America and China have experienced the emergence of female artists from the beginning. To the gradual emergence of the process. This process is accompanied by the process of modernization and modernization, so the development of the two sides have some similarities, but also in different historical and cultural backgrounds. Chinese oil painting, as a learner of oil painting in Europe and America, can better find its own future development direction in the contrast of the development track of female artists between the two sides.
【学位授予单位】:西安美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213

【参考文献】

相关期刊论文 前1条

1 李琳;;小议女性画家、母性意识与母性题材[J];江西金融职工大学学报;2006年S1期



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