“秋意苍茫”山水系列创作说明
发布时间:2018-01-21 16:52
本文关键词: 苍茫 野逸 笔墨 出处:《河北大学》2017年硕士论文 论文类型:学位论文
【摘要】:"秋意苍茫"山水系列作品,是以云蒙山、雁荡山、桂林山水为基本创作对象,以水墨为主要表现方式创作的。本人出于对苍茫浑朴风格山水画的喜爱,通过在校期间对龚贤及其他古人山水画的临摹学习,结合多次写生实践,以"繁、密、厚、重"的笔墨,意图创作出蕴含"苍茫"之意的系列山水作品。"秋意苍茫"系列作品,体现了我对龚贤积墨法及黄宾虹浑朴之气笔墨的运用;包含着我对"天人合一"哲学思想、"大巧若拙"美学精神的理解;也包含着我对自然山川的热爱。是自然之象亦是心中之境,意图在气韵上达到苍劲雄厚、宽广博大,体现出我对山川之美精神状态的追求。
[Abstract]:The series works of "autumn meaning is boundless" is based on the Yunmenshan, Yandangshan, Guilin landscape as the basic creation object, with ink as the main way of expression. I am out of love with the boundless and simple style of landscape painting. During the school period Gong Xian and other ancient landscape painting copy learning, combined with the practice of many sketches, to "complex, dense, thick, heavy" pen and ink. The intention is to create a series of landscape works with the meaning of "boundless". The series of works of "autumn meaning is boundless" embodies my use of Gong Xian's ink method and Huang Binhong's simple style. It contains my understanding of the aesthetic spirit of "the unity of nature and man" and the aesthetic spirit of "great skillful and clumsy"; It also contains my love of natural mountains and rivers. It is the image of nature as well as the state of mind, with the intention of reaching a strong and broad spirit in spirit, reflecting my pursuit of the beautiful spiritual state of mountains and rivers.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J212
【参考文献】
相关硕士学位论文 前2条
1 崔同飞;论山水写生对创作的影响[D];河北师范大学;2014年
2 周姝宏;漫谈黄宾虹山水画中“点”的技法与意蕴[D];四川师范大学;2015年
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