吴升《大观录》研究

发布时间：2018-01-24 20:54

本文关键词： 吴升《大观录》书画鉴藏明末清初　出处：《上海师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：明清鼎革之际,由于诸多原因导致内府收藏的大量书画作品流入民间,与此同时,民间私人书画收藏蔚然成风,有关书画作品的著录数量上更是超越前代。此时书画收藏群体在不仅局限于皇权贵胄、文人雅士之中,且商贾之人也加入其中,吴升就是其中一位。吴升,字子敏,吴郡人,是位博雅好古的古玩商人。由于他的身份,吴升时常往来于各大书画交易场所,这使得他开阔眼界的同时也结交了许多书画鉴藏家,如梁清标、曹溶、宋荦等人。吴升在与这些名家交往中,时常将自己的心得体会付诸笔墨,留下了卷帙浩繁的著述。其所著《大观录》体例完备,内容翔实,在记录作品材质尺寸等基本信息中,还会对一些作品进行品第,附加己见,是中国画史上一部颇具意义的书画著录,体现出吴升迥别于那些唯利是图商人的过人之处和不凡的鉴赏水平。本文从多个角度对吴升及其《大观录》进行探究,首先对《大观录》成书原因和编著特点进行探究分析;其次,通过对《大观录》中吴升品评的记录,勾勒出吴升的交游圈,以地域分类,力图呈现出明末清初之际南北方书画鉴藏的风尚;再次,通过对吴升所记书画作品的详细考订,归纳出吴升鉴定书画的方法及审美趋向;最后总结《大观录》的价值及画史意义。
[Abstract]:During the Ming and Qing dynasties, due to many reasons, a large number of calligraphy and painting works collected by the inner government flowed into the people, at the same time, the folk private calligraphy and painting collection became popular. At this time, the collection of calligraphy and painting is not only confined to the imperial power and noble nobles, literati and elegant scholars, but also the people of merchants, Wu Sheng is one of them. Zizimin, Wu Chun-ren, is a Boya good ancient antique dealer. Because of his identity, Wu Sheng often travels to various painting and calligraphy exchanges, which makes him broaden his horizons and make friends with a lot of calligraphy and painting collectors. For example, Liang Qingbiao, Cao Yong, Song Luo, etc. Wu Sheng, in his contacts with these famous writers, often put his own experience into writing, leaving behind numerous and voluminous writings. In recording the basic information, such as the material size of works, some works will also be carried on the first, additional views, is a significant description of Chinese painting history. This paper explores Wu Sheng and his Great View from several angles, which show that Wu Sheng is different from those profit-oriented businessmen in their excellence and extraordinary level of appreciation. First of all, the author analyzes the reasons and the characteristics of the book. Secondly, through the records of the evaluation of Wu Sheng in "Da Guan Lu", this paper outlines Wu Sheng's circle of friendship and classifies it by region, and tries hard to present the style of calligraphy and painting review and collection in the south and north at the end of Ming Dynasty and the beginning of Qing Dynasty. Thirdly, through the detailed examination of Wu Sheng's calligraphy and painting works, the author concludes the methods and aesthetic trend of Wu Sheng's appraisal of calligraphy and painting. Finally, the value and historical significance of painting are summarized.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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