构成观念下的当代水墨人物画的形式研究

发布时间：2018-01-28 07:46

本文关键词： 当代水墨人物画构成观念视觉形式　出处：《重庆大学》2015年硕士论文　论文类型：学位论文

【摘要】：社会科学技术的直线型发展,催生出更加庞大繁杂的信息系统,图像审美法则的多元化传播已经成为不可回避的事实。就可视性媒介而言,快餐文化与快节奏信息浏览无疑将视觉化传播推向其主导地位,从而使人们的审美意识、创作思维发生偏移甚至改变。而当代绘画也正处于这种多样性与单一性,多元发展与相互交叉的变更时期,传统单一的绘画形式已经难以满足当代人的审美需求,而以人为载体的当代水墨人物画也开始步履维艰的探索与变革。水墨人物画开始回归于对绘画本体的探索之中,视觉化的倾向成为事实,而就在当代这种一切都被设计和规划了的语境中,西方构成观念的影响,使得当代水墨人物画的形式与传统水墨人物画的形式分道扬镳。当代艺术创作者将构成应用到其作品中,展现出别样的视觉效果,并且出现新的人物画表现形式,本文就是收集大量当代水墨人物画的作品,并分析出其作品隐含的构成关系。本次研究在已有前学研究的理论成果支撑下,关注绘画的本质表现和实践思路。首先,笔者结合当代语境,对当代水墨人物画的审美形态以及设计构成和当代水墨人物画的契合做了详细的分析,归纳出当代水墨人物画的几种类型;其次,文章阐明构成观念下当代水墨人物画的形式表现,以当代水墨人物画的图式设定和当代新出现的几种特殊水墨人物画的形式予以说明;最后,引发出对当代水墨人物画发展的思考等诸多后续延展问题,并结合实际案例来论证。
[Abstract]:The linear development of social science and technology has given birth to a larger and more complicated information system, and the diversification of image aesthetic law has become an unavoidable fact, as far as visibility media are concerned. Fast food culture and fast-paced information browsing will undoubtedly push the visual communication to its leading position, thus making people's aesthetic consciousness. Creative thinking has deviated or even changed. And contemporary painting is also in this diversity and singularity, pluralistic development and intersecting period of change. Traditional single form of painting has been difficult to meet the aesthetic needs of contemporary people. And the contemporary ink figure painting with the person as the carrier also began to struggle to explore and change. Ink figure painting began to return to the exploration of the painting ontology, and the visual tendency became a reality. And in the contemporary context in which everything has been designed and planned, the influence of the Western concept of composition. Make the form of contemporary ink figure painting and the form of traditional ink figure painting separate ways. Contemporary art creators will be applied to their works, showing a different visual effect. And the emergence of new forms of figure painting, this article is to collect a large number of contemporary ink figure painting works, and analyze the implied relationship between the composition of their works. First of all, combined with the contemporary context, the author makes a detailed analysis of the aesthetic form and design composition of contemporary ink figure painting and the combination of contemporary ink figure painting. Sum up several types of contemporary ink figure painting; Secondly, the paper clarifies the form of contemporary ink figure painting under the concept of constitution, and explains it in the form of the pattern setting of contemporary ink figure painting and several new forms of contemporary special ink figure painting. Finally, it leads to the thinking of the development of contemporary ink figure painting and other follow-up extension issues, and combined with practical cases to demonstrate.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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