德国新表现主义绘画对中国油画的影响

发布时间：2018-01-28 21:04

本文关键词： 德国新表现主义绘画中国油画影响因素　出处：《河南大学》2013年硕士论文　论文类型：学位论文

【摘要】：本文从德国新表现主义绘画入手，通过对德国新表现主义在德国的发展历程以及对西方美术的影响，来探讨新表现主义在中国大环境下对中国本土油画的影响及发展。在中国新表现主义油画艺术家在注重艺术文化性与观念性的同时，还强调艺术的神韵和意境的营造，以自己独有的审美方式和审美激情大胆地进行艺术创作，打破了中国以往架上油画写实主义一统天下的格局，丰富了中国艺术的多元化发展，为中国当代艺术的健康发展注入了新的血液，，这种表现性绘画和中国的意向绘画的契合点，因而有可以发展的空间。但是需要把绘画语言与地域相结合，适时而必要的做出定位选择。审视传统文化资源，向本土文化靠拢，确立文化身份。文章在整体结构上分为引言、本论、结论三部分。其中本论部分又分为三章。分别就德国新表现主义绘画的起源以及对中国油画的影响展开论述。第一部分是引言，简要阐述了问题的提出与研究背景，对相关概念进行界定，回顾国内老师们对德国新表现绘画研究的相关理论，并提出本研究的研究思路，研究方法和研究意义。第一章主要论述了德国新表现主义绘画产生的历史、文化背景，在这种环境下所形成的艺术风格，并对其主要代表人物进行阐述。第二章，针对新表现主义在中国的发展，分别对中国当代表现性油画家的艺术理念与艺术语言进行一一罗列。第三章中，论述内容回归到德国表现主义绘画对中国油画的影响这一核心问题上，详细阐述德国新表现主义在中国转化后的发展与德国新表现主义绘画影响中国油画的主要因素。结尾引言部分是研究的基本结论，尝试提出中国新表现主义绘画的发展方向的展望。本文综合运用历史学、社会学、文化学、美学的有关知识，采用文献研究法、归纳法等研究方法，结合德国新表现主义对中国油画影响与以往绘画所表现不同的痕迹进行有针对性的探讨，在梳理与比照当中融入了自己的独立思考，得出了一些具有实际意义的结论。
[Abstract]:This paper starts with the German neo-expressionism painting, through the development of German neo-expressionism in Germany and the influence on western art. To explore the impact and development of Neo-Expressionism on Chinese local oil painting under the Chinese environment. In China, Neo-Expressionism oil painting artists pay attention to artistic culture and concept at the same time. Also emphasizes the artistic charm and the artistic conception construction, carries on the artistic creation boldly with own unique esthetic way and the esthetic passion, has broken the Chinese frame oil painting realism to dominate the world pattern in the past. It enriches the diversified development of Chinese art and injects new blood into the healthy development of Chinese contemporary art. Therefore, there is room for development. However, it is necessary to combine the painting language with the region, to make timely and necessary positioning choices, to examine the traditional cultural resources, to close to the local culture, and to establish the cultural identity. In the overall structure of the article is divided into preface, this theory. Conclusion three parts. This part is divided into three chapters respectively on the origin of German neo-expressionism painting and the impact on Chinese oil painting. The first part is the introduction. A brief description of the question and research background, to define the relevant concepts, review the domestic teachers of the new performance of German painting research related theories, and put forward the research ideas of this study. The first chapter mainly discusses the history and cultural background of the German neo-expressionism painting and the artistic style formed in this environment. The second chapter, in view of the development of neo-expressionism in China, respectively, the art concept and artistic language of contemporary Chinese oil painters listed one by one. Chapter three. The content of this paper returns to the core issue of the influence of German expressionism painting on Chinese oil painting. The development of German neo-expressionism in China and the main factors influencing Chinese oil painting after the transformation of German neo-expressionism are described in detail. At the end the preface is the basic conclusion of the study. Try to put forward the prospect of the development direction of Chinese new expressionism painting. This paper uses the relevant knowledge of history, sociology, culture, aesthetics, literature research, induction and other research methods. Combined with the influence of German neo-expressionism on the influence of Chinese oil painting and the previous painting performance of the different traces of targeted discussion in combing and comparing with the integration of their own independent thinking. Some conclusions of practical significance are obtained.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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