明代宗教绘画研究

发布时间：2018-02-02 21:20

本文关键词： 明代宗教绘画道释画　出处：《淮北师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：明代宗教绘画是明代绘画中不可或缺的一部分，在明代整个社会及画坛的发展过程中，，由于宗教和艺术在每个特定的朝代的相互联系和渗透，宗教为绘画创作提供素材，宗教精神也在潜移默化地影响着艺术家的创作。宗教绘画是宗教艺术品，同时也是艺术家一定宗教情结的表现。通过对明代社会文化背景下主要的宗教、哲学和宗教绘画发展脉络的梳理与研究，力求深掘它们的内在联系。本文的运用理论分析、举例论证和综合对比的方法，试图从以下五方面阐述明代宗教绘画中的壁画、文人画中的宗教题材绘画以及与明代学术思潮直接的内在关系。第一部分重点阐述了社会文化背景下由元至明的宗教绘画的传承关系及研究现状。首先从明代的宗教政策，社会背景及绘画状况作了一个综述，梳理明代宗教绘画的传承关系。第二部分论述了明代不同宗教流派与相应宗教发展的关系。通过对明代佛教、道教、基督教及名家宗教的发展状况，论述了与各教派相对应的宗教绘画的特色表现。第三部分论述了明代宗教画家的创作状况及明代宗教绘画作品的特点。首先对明代宗教文人画家的宗教题材创作、明代壁画创作的特点进行了分析，然后对明代画家的宗教题材绘画进行了阐述。第四部分论述了明代宗教绘画与明代学术流派的内在关系。首先是对明代理学、心学的发展及各自的哲学内涵的论述，然后论述了明代主要哲学流派和当时宗教绘画的内在关系。最后对明代宗教绘画在明代绘画中的地位其对后世的影响。主要从三个方面去论述:一是对主题意识的强调；二是继承与创新的关系；三是从笔墨自身的独立表现去分析明代宗教绘画的中的笔墨特点。
[Abstract]:Religious painting in Ming Dynasty is an indispensable part of painting in Ming Dynasty. During the development of the whole society and the painting world of Ming Dynasty, religion and art are connected and infiltrated in each particular dynasty. Religion provides material for painting creation, and religious spirit also influences artists' creation. Religious painting is a religious work of art. At the same time, it is also the expression of certain religious complex of artists. Through combing and studying the main development of religion, philosophy and religious painting under the social and cultural background of Ming Dynasty, the author tries to dig up their internal relations. This article uses the theory analysis, the example demonstration and the synthesis contrast method, attempts from the following five aspects to elaborate the mural in the Ming Dynasty religious painting. The religious painting in literati painting and its direct internal relationship with the academic trend of thought in Ming Dynasty. The first part focuses on the inheritance and research status of religious painting from Yuan to Ming under the social and cultural background. Firstly, it summarizes the religious policy, social background and painting situation of Ming Dynasty. Combing the inheritance of religious painting in Ming Dynasty. The second part discusses the relationship between the different religious schools and the corresponding religious development in the Ming Dynasty, through the development of Buddhism, Taoism, Christianity and famous religions in the Ming Dynasty. This paper discusses the characteristics of religious paintings corresponding to various sects. The third part discusses the creation of religious painters in Ming Dynasty and the characteristics of religious paintings in Ming Dynasty. Firstly, the religious subjects of religious literati painters in Ming Dynasty and the characteristics of mural paintings in Ming Dynasty are analyzed. Then the painting of religious themes of the Ming Dynasty painters were expounded. The 4th part discusses the internal relationship between the religious painting of the Ming Dynasty and the academic schools of the Ming Dynasty. Firstly, it discusses the development of the Confucianism, the study of the mind and their respective philosophical connotations in the Ming Dynasty. Then it discusses the relationship between the main philosophical schools of Ming Dynasty and religious painting at that time. Finally, it discusses the position of religious painting in Ming Dynasty painting and its influence on later generations. Second, the relationship between inheritance and innovation; The third is to analyze the characteristics of the brush and ink in the religious painting of the Ming Dynasty from the independent performance of the brush and ink itself.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J219

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