论仿作的确认

发布时间：2018-02-03 05:22

  本文关键词： 仿作 明代绘画 艺术史研究 创作方式 《宣和画谱》 方从义 武夷放棹图 燕文贵 石渠宝笈 许道宁　出处：《美术观察》2017年11期 　论文类型：期刊论文

【摘要】：正艺术史研究常常要说明某一时期的特征,从而展示其历史地位与意义。明代画作整体上有什么特点足以区别前后时代?仿作兴起,是其特别重要的特点之一明代绘画,既有作者写自家风格的创作,也有追摹往古的仿作。因为仿作的出现,明代的画作乃有了别样的面貌,让我们得以与前此的宋元画作做出时代上的判别。另外,仿作也是一种新的创作方式,作者借此可以在历史与自我之间寻得
[Abstract]:The study of the history of art often explains the characteristics of a certain period so as to show its historical status and significance. What are the characteristics of the paintings of the Ming Dynasty as a whole that can distinguish the time before and after? The rise of imitation is one of the most important features of painting in Ming Dynasty. It is not only the author writes his own style, but also the imitation of ancient times. Because of the appearance of imitation, the painting of Ming Dynasty has a different face. In addition, imitation is also a new way of creating works, by which the author can find it between history and self.
【作者单位】： 南京林业大学人文学院;
【分类号】：J212
【正文快照】： 艺术史研究常常要说明某一时期的特征,从而展示其历史地位与意义明代_作整体上有什么特点足以KR%前后时代?仿作兴起,是其特别重要的特点之一,明代绘画,既有作者写自家风格的创作,也有追摹往古的仿作:因为仿作的出现,明代的画作乃有了别样的面貌,让我们得以与前此的宋元画作做，

本文编号：1486541