山水有体:《林泉高致》美学思想探析

发布时间：2018-02-04 21:00

本文关键词： 《林泉高致》山水有体美学思想　出处：《深圳大学学报(人文社会科学版)》2017年03期 　论文类型：期刊论文

【摘要】：北宋画家、绘画理论家郭熙的画论著作《林泉高致》中蕴含丰富的美学思想。其美学思想主要表现为"林泉之心"的审美态度、"四时不同"的审美意象、"可居可游"的审美理想、"身居山川而取之"的审美方式、"饱游饫看"的审美修养、"兼收并览"的审美创造等。而这些思想的基本内容可以总体概括为"山水有体",即感受、表现山水意境有一套系统的方法和规范。通过运用现代美学概念对以上美学思想进行整理、分析和阐释,可以深入、系统地理解郭熙的美学思想和艺术理论,以期对当代审美和艺术的实践活动有所助益。
[Abstract]:Guo Xi, a painter and painting theorist of the Northern Song Dynasty, contains rich aesthetic thoughts in his works of painting theory "Lin Quan Gao Zhi". His aesthetic thought mainly shows the aesthetic attitude of "the heart of Lin Quan" and the aesthetic image of "four different times". The aesthetic ideal of "can live and swim", the aesthetic way of "living in the mountains and rivers", the aesthetic accomplishment of "full swimming and watching". The basic content of these thoughts can be summed up as "landscape has body", that is, feeling. Through the use of modern aesthetic concepts to organize, analyze and explain the above aesthetic thought, we can deeply and systematically understand Guo Xi's aesthetic thought and art theory. With a view to contemporary aesthetic and artistic practice of some help.
【作者单位】：深圳大学艺术设计学院;
【分类号】：J212
【正文快照】： 《林泉高致》是北宋画家郭熙对山水审美与山水画创作的经验总结,其中蕴含着丰富的美学思想。本文尝试借助现代美学概念和理论体系对这些美学思想加以分析提炼,进一步挖掘、阐释和弘扬其中尚未展开的美学思想,并加以系统化,从而更深入地理解郭熙的美学思想和艺术理论,使之赋予

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