中国漆艺术历史蜕变之研究
发布时间:2018-02-05 02:36
本文关键词: 中国漆艺术 传统 现代 蜕变 发展 出处:《江西科技师范大学》2013年硕士论文 论文类型:学位论文
【摘要】:纵观中国漆艺术的历史进程,既是实用功能的工艺美术衍变的历史,又是现代艺术形式的漆绘画历史,在经过古代、近代、现代三大历史时期的衍变进化,如今又面临着蜕变和再生的这一巨大考验。蜕变并不意味着毁灭,而是以新的形态出现在我们面前,赋予历史意义的改变与创新。 分析中国漆艺术发展大致有两条线索:一是工艺美术的进程——传统漆艺术向现代漆艺的蜕变。其制作者为手艺人,由于教育背景,技艺上墨守成规,观念守旧,大多为复古风格,,注重装饰性;二是传统漆艺术向绘画艺术蜕变的进程。创作群体以画家为主,有艺术个性和风格的追求,归属为绘画艺术。漆画的出现,外因是法国美术学院与越南漆艺的相遇与碰撞,内因是由于社会发展进化的结果。 本文就中国七千多年的优秀漆历史文化背景为探讨,对中国漆艺术蜕变的历程及原因做了详细的阐述与探讨。以史为骨架,以论为血肉,进行较全面系统的漆艺术历史蜕变之研究,对中国漆艺术在古代、近代、现代蜕变的潜在和必然要素作了详细剖析。最后又对未来漆艺术保护发展做出了展望,指出应当重视漆艺术的创作发展,这也是中国当代艺术需要深刻省察的关键,使其对现代漆艺术发展的现、当代及未来性具有积极意义。
[Abstract]:The historical process of Chinese lacquer art is not only the evolution of practical arts and crafts, but also the history of lacquer painting in the form of modern art. It has evolved in three historical periods: ancient, modern and modern. Now we are faced with the great test of transformation and regeneration. Transformation does not mean destruction, but appears in front of us in a new form, giving us historical significance of change and innovation. There are two clues in analyzing the development of Chinese lacquer art: one is the process of arts and crafts-the transformation from traditional lacquer art to modern lacquer art. The idea is old-fashioned, mostly for the retro style, pays attention to the decoration; The second is the process of transformation from traditional lacquer art to painting art. The creative groups are mainly painters, with the pursuit of artistic personality and style, and belong to painting art. The appearance of lacquer painting. The external cause is the encounter and collision between the French Academy of Fine Arts and Vietnamese lacquer art, and the internal cause is the result of social development and evolution. This paper discusses the historical and cultural background of excellent lacquer in China for more than 7,000 years, and makes a detailed exposition and discussion on the course and causes of the transformation of Chinese lacquer art, taking history as the skeleton and theory as the flesh and blood. This paper makes a comprehensive and systematic study on the historical transformation of lacquer art, and makes a detailed analysis of the potential and necessary elements of the transformation of Chinese lacquer art in ancient, modern and modern times. Finally, the future development of lacquer art protection is prospected. It is pointed out that we should attach importance to the creation and development of lacquer art, which is also the key for Chinese contemporary art to be deeply examined, which makes it of positive significance to the development of modern lacquer art.
【学位授予单位】:江西科技师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J527;J213.9
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