鄂伦春族画家白英油画创作研究

发布时间：2018-02-05 03:03

本文关键词： 鄂伦春族白英油画　出处：《中央民族大学》2013年硕士论文　论文类型：学位论文

【摘要】：油画是一门世界性艺术,自17世纪从西方传入中国以来已有400余年的历史。在中国油画发展史上,少数民族题材油画作为其中的重要组成部分,具有独特的艺术魅力和研究价值。鄂伦春族是我国人口较少民族之一,其油画发展史起步于20世纪80年代。鉴于目前学术界对鄂伦春族油画艺术研究较少,笔者试图以画家白英的油画创作为个案研究,探讨现代语境下中国人口较少民族乃至整个少数民族油画的发展状况。论文分为四个部分。第一章为绪论,主要介绍文章的选题依据及意义,简述选题的研究目标及方法,梳理界定中国少数民族油画、鄂伦春族等有关概念,并对相关研究现状作文献综述。第二章在田野调查的基础上介绍画家白英的生平及油画创作。无论是童年的生长环境、文化馆的绘画学习、高等学府的专业训练还是博物馆的文化艺术研究工作,这些经历为白英的油画创作奠定了良好的基础、提供了无尽的灵感。在油画创作部分,主要从其创作阶段、创作技法、创作作品及成就三个方面进行论述。在梳理白英创作的探索阶段、成熟阶段之基础上,对其油画创作技法进行了阐述。最后,笔者对调研中尽可能穷尽地收集到的油画作品进行了简要描述,并就画家举办或参加过的画展以及作品获奖情况进行梳理及总结。第三章从本体研究和文化阐释两方面对白英的油画创作进行了艺术学分析。首先,对其油画创作的题材进行了系统梳理,将其作品分为风景、动物、人物三大类题材,并对其中代表性作品进行了解读。其次,从图像学的角度分析了作品的形式,主要从构图、色调、造型、笔触四方面着手。最后,对作品的文化内涵进行了深入剖析,揭示了作品所蕴含的对自然生命的热爱、对鄂伦春族传统文化的眷恋、对民族信仰的坚守等内容。第四章进一步探析了白英油画创作的影响因素,主要从画家创作的时代发展背景、自然社会环境两个维度展开。在中国乡土写实油画发展的大背景下,白英的油画创作是对鄂伦春族发展现状(尤其是民族传统文化逐渐消逝的状况)的一种现代化表述；鄂伦春族地区特有的自然地理和人文社会环境赋予白英油画以独特的创作素材和艺术语言；鄂伦春族的精神特质、审美诉求对白英的油画创作有重要影响。作为鄂伦春族第一代油画家,白英的油画创作揭开了鄂伦春族油画发展的序幕,为这一人口较少民族的艺术发展注入了新的活力。白英的民族画家身份、高等院校求学经历等给予其作品以高度自觉的人文关怀,他所处的时代和环境赋予了其画面浓厚的乡土怀旧气息,这是中国少数民族画家群体的一个缩影,从中人们窥见了少数民族油画作品独特的美学价值和现实意义。在油画艺术日益多元化的当代中国,白英独具特色的创作无疑是对油画民族化一种诠释。
[Abstract]:Oil painting is a world art, it has been more than 400 years since it was introduced into China from the West in 17th century. In the history of Chinese oil painting, minority oil painting is an important part of it. With unique artistic charm and research value. Oroqian is one of the minority ethnic groups in China, its oil painting development started in 1980s. In view of the current academic research on the Oroqian oil painting art is less. Taking Bai Ying's oil painting as a case study, the author tries to explore the development of Chinese minority oil painting in the context of modern times. The thesis is divided into four parts. The first chapter is the introduction, mainly introduces the basis and significance of the article, briefly describes the research objectives and methods of the topic, combing and defining the Chinese minority oil painting, Oroqun nationality and other related concepts. And to the related research present situation composition to present the summary. The second chapter introduces the painter Bai Ying's life and oil painting creation on the basis of field investigation. The professional training of the higher education institution or the cultural and artistic research work of the museum, these experiences have laid a good foundation for Bai Ying's oil painting creation, and provided endless inspiration in the oil painting creation part. Mainly from its creative stage, creative techniques, creative works and achievements of three aspects. In combing Bai Ying's creative exploration stage, mature stage, on the basis of its oil painting techniques are expounded. Finally. The author gives a brief description of the oil paintings collected as much as possible in the research, and combs and summarizes the painting exhibitions held or participated by the painters and the winning situation of the works. The third chapter from the ontology research and cultural interpretation of Bai Ying's oil painting from two aspects of the artistic analysis. First of all, the subject matter of his oil painting is systematically combed, the works are divided into scenery, animals. The characters of three categories of subjects, and the representative works were interpreted. Secondly, from the perspective of graphics analysis of the form of the work, mainly from the composition, tone, modeling, stroke four aspects. Finally. This paper analyzes the cultural connotation of the works, reveals the love of natural life contained in the works, the attachment to the traditional culture of the Oroqen nationality, the adherence to the national beliefs, and so on. Chapter 4th further analyzes the influence factors of Bai Ying oil painting creation, mainly from the background of the development of the times of painter creation, natural social environment two dimensions, under the background of the development of Chinese local realistic oil painting. Bai Ying's oil painting is a modern expression of the development of the Oroqian nationality, especially the gradual disappearance of the national traditional culture. The unique natural geography and humanistic and social environment of Oroqian nationality region endows Bai Ying oil painting with unique creative material and artistic language. The spiritual characteristics and aesthetic appeal of the Oroqun nationality have an important influence on Bai Ying's oil painting creation. As the first generation of Oroqian oil painters, Bai Ying's oil paintings opened the prelude to the development of Oroqian oil paintings, and injected new vitality into the artistic development of this minority nation. Bai Ying's national painter identity. The experience of studying in colleges and universities gives his works a high degree of conscious humanistic concern. His era and environment endow him with a strong nostalgia of the country, which is a microcosm of the Chinese minority painters. People have seen the unique aesthetic value and realistic significance of the oil paintings of ethnic minorities. In contemporary China where oil painting art is increasingly diversified, Bai Ying's unique creation is undoubtedly an annotation to the nationalization of oil paintings.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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