新疆佛教壁画艺术对我艺术创作的启示

发布时间：2018-02-05 21:09

本文关键词： 佛教壁画传统文化融合启示创新　出处：《山东师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：新疆佛教艺术是中国传统文化艺术中光彩夺目的一部分。通过对新疆地域的佛教文化及洞窟壁画的研究学习，本文尝试就新疆沿丝绸之路南北麓的佛寺和石窟佛教壁画艺术作简要的归纳分析，并力求结合本人艺术创作实践，就当代绘画艺术学习研究中的如何对待中国传统绘画艺术的思考做一个梳理与总结。丝绸之路，一条沟通与连接东西方经济、文化交流的纽带，也是佛教东传的必经之地。漫长的历史沧桑变化，沉淀了新疆各地丰富的佛教古迹，使得我们尽可领略古代佛教艺术中的无穷魅力，目睹世界文化交流的结晶，佛教壁画就是其中璀璨的一部分。西域佛教艺术在中国佛教艺术史上占有重要地位，而新疆佛教壁画又构成了西域佛教艺术中灿烂辉煌的典范。佛教壁画艺术来源自印度，经过中亚等地，抵达西域后又融合了本土自然、民族特色，无论在内容还是形式上，，必然结合了多重元素和地域风格特点。但种种特色最终都汇集在源远流长的中华文化艺术体系之中，而显示出全新的样貌。因此，这种独特的艺术表述形式，对我们今天学习和借鉴传统文化提供了多种可能。它重在讲究用线造型，赋彩寄情，巧妙的将各种形式语言运用的出神入化、淋漓尽致。通过对它的造型语言、色彩语言、构图语言、时空语言、肌理语言等各方面的研究和分析，在我的创作实践中集之所长，并进行移植、借鉴、融合再创造，最终达到画面的统一和谐，从中学习并收获中国传统文化的精神与境界。新疆佛教艺术体现的文化交融和传统特质深深吸引着我，它将成为我现阶段学习和研究的领域，在中、西文化碰撞、融汇和创新的艺术道路上一直走下去。
[Abstract]:Xinjiang Buddhist art is a brilliant part of Chinese traditional culture and art. Through the study of Buddhist culture and cave murals in Xinjiang region. This paper attempts to make a brief summary and analysis of Buddhist mural art of Buddhist temples and grottoes along the south and north foot of the Silk Road in Xinjiang, and tries to combine with his artistic creation practice. This paper summarizes how to deal with Chinese traditional painting art in the study of contemporary painting art. The Silk Road, a link of communication, economic and cultural exchanges between the East and the West, is also the only place for Buddhism to spread eastward. The long history of vicissitudes of life has precipitated abundant Buddhist monuments throughout Xinjiang. So that we can enjoy the infinite charm of ancient Buddhist art, witness the crystallization of the world cultural exchange, Buddhist murals is one of the bright part. Western Buddhist art in the history of Chinese Buddhist art occupies an important position. Xinjiang Buddhist murals constitute a brilliant example of Buddhist art in the Western region. Buddhist mural art from India, through Central Asia and other places, arrived in the Western region after the integration of native nature, national characteristics, whether in content or form. It must combine multiple elements and regional style, but all kinds of characteristics are finally gathered in the ancient Chinese culture and art system, and show a new look. Therefore, this unique form of artistic expression provides a variety of possibilities for us to learn and learn from traditional culture today. Through its modeling language, color language, composition language, space-time language, texture language and other aspects of research and analysis. In my creative practice, I collect the strengths, and transplant, use for reference, fusion and re-creation, and finally achieve the unity and harmony of the picture, from which to learn and harvest the spirit and realm of Chinese traditional culture. The cultural blending and traditional characteristics embodied in the Buddhist art of Xinjiang have deeply attracted me. It will become a field of study and research for me at the present stage, and it will continue on the art road of collision, fusion and innovation between Chinese and western cultures.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.6

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