当代中国工笔花鸟画中的复古现象研究

发布时间：2018-02-06 03:18

本文关键词： 中国工笔花鸟画复古传统继承创新　出处：《西南大学》2013年硕士论文　论文类型：学位论文

【摘要】：中国文化博大精深,自古以来便有尊师重道的传统。工笔花鸟画作为中国绘画的一种绘画形式,有着辉煌的历史,尤其是宋代宫廷花鸟画,给我们留下了许多精品力作,这对于当代中国工笔花鸟画的创新仍然有着极大的借鉴和启示作用。当前,中国正处于一个经济发展、中西文化交融的时代,还有互联网的通畅,这些都极大地开拓了人们的视野和审美价值取向。在这种背景下,当代中国工笔花鸟画呈现出多种多样的风格与面貌：有的追求观念,有的探索技法,这些新颖独特的画风以及表现手法正改变着工笔花鸟画的传统面貌,尽管如此,仍然有一批画家,他们坚守传统,在继承传统文化精神内涵的同时,在古人已有的成就基础上开拓、创新,而不盲目孝从西方文化。当代中国工笔花鸟画的发展创新,只有立足于中国深厚文化传统,研究并“复古”性的继承传统中国工笔画的优良品质，并融入时代，才可能有更好的发展前景。继承民族文化的优秀品质无疑是中国工笔花鸟画发展的动力之一。本文第一章阐述了当代中国工笔花鸟画中复古现象出现文化背景和社会背景。第二章运用传统中国工笔花鸟画与当代中国工笔花鸟画的对比分析,阐述了“复古现象”在当代中国工笔花鸟画作品中的主要表现。本章分别从题材、章法,以及写实性、诗意性等方面对传统工笔绘画的继承和发展进行阐述。第三章阐明了当代中国工笔花鸟画中复古现象的必然性及意义,最后总结出：复古性继承是中国艺术发展规律的一种体现,继承与创新是国画创作中的永恒课题。因而,我们应该在复古的基础上创新,同时在复古与创新中找到平衡点,且不能丢掉中国优秀文化传统,以此来更好的指导我们的花鸟画创作。
[Abstract]:Chinese culture is extensive and profound, since ancient times there has been a tradition of respect for teachers. As a painting form of Chinese painting, meticulous flower-and-bird painting has a brilliant history, especially in the Song Dynasty court flower and bird painting. It has left us with a lot of masterpieces, which still have great reference and enlightenment for the innovation of contemporary Chinese fine brushwork flower-and-bird painting. At present, China is in an era of economic development, the blending of Chinese and Western cultures, and the smooth flow of the Internet, which greatly broadens people's vision and aesthetic value orientation. Contemporary Chinese fine brushwork flower-and-bird painting presents a variety of styles and features: some of the pursuit of ideas, some exploration techniques, these novel and unique painting style and expression techniques are changing the traditional face of fine brushwork flower and bird painting. In spite of this, there are still a number of painters, they adhere to the tradition, while inheriting the spirit of traditional culture, at the same time in the ancients on the basis of existing achievements to open up, innovation. But not blindly filial piety from the western culture. Contemporary Chinese fine brushwork flower-and-bird painting development innovation, only based on the Chinese profound cultural tradition, studies and "retro" nature inherits the traditional Chinese fine brushwork fine quality, and melts into the times. Inheriting the excellent quality of national culture is undoubtedly one of the driving forces of the development of Chinese fine brushwork flower-and-bird painting. The first chapter describes the cultural background and the social background of the retro phenomenon in the contemporary Chinese fine brushwork flower-and-bird painting. The second chapter uses the traditional Chinese fine brushwork flower-and-bird painting and contemporary Chinese fine brushwork flower-and-bird painting comparative analysis. This chapter expounds the main performance of the "retro phenomenon" in the contemporary Chinese fine brushwork of flower-and-bird painting. This chapter respectively from the subject matter, the method of composition, and realism. Poetic and other aspects of the inheritance and development of traditional fine brushwork painting are expounded. The third chapter expounds the necessity and significance of the phenomenon of retro in the contemporary Chinese fine brushwork flower-and-bird painting. Finally, it is concluded that retro inheritance is a reflection of the law of Chinese art development, inheritance and innovation is an eternal subject in the creation of traditional Chinese painting. Therefore, we should innovate on the basis of the restoration of ancient times. At the same time, we should find a balance in the restoration of the ancient times and innovation, and not lose the excellent cultural tradition of China, so as to better guide our flower and bird painting creation.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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