夜光墨韵的融合探索——于洋谈宗其香的夜景山水画及其艺术历程

发布时间：2018-02-10 22:06

本文关键词： 宗其香夜景中国画学西方绘画艺术历程美术学院教授徐悲鸿艺术专科学校中央美术学院中西融合　出处：《美术观察》2017年11期 　论文类型：期刊论文

【摘要】：正宗其香(1917.11-1999.12),江苏南京人。幼家贫,自学绘画。1937年当徒工时,《山水》即入选民国教育部第二次全国美展。1939年考入中央大学艺术"系;1942年在重庆举办"重庆夜景"山水画展,得到徐悲鸿的首肯与激励,开创了水墨夜景山水画的创作风格。历任国立北平艺术专科学校讲师、中央美术学院教授、水彩教研室主任、中国画系山水科主任,善画山水、人物,尤长夜景。"文革"结束后,晚年长期在广西桂林生活和创作。作为20世纪中国画改革派的代表人物和美院名师,宗其香是最早用西方绘画改造中国山水画面获得成功的
[Abstract]:In 1937, he was elected to the second National Art Exhibition of the Ministry of Education of the Republic of China. In 1939, he was admitted to the Department of Art of Central University. On 1942, he held a "Chongqing Night View" landscape painting exhibition in Chongqing. With Xu Beihong's approval and encouragement, he has created the creative style of ink and wash landscape painting. He has been a lecturer at the National Peiping Academy of Art, a professor of the Central Academy of Fine Arts, director of the watercolor teaching and research office, and director of the landscape department of the Chinese painting Department. Figures, especially long night scenes. After the end of the Cultural Revolution, the late years of life and creation in Guilin, Guangxi. As a representative of the Chinese painting reformist in 20th century and a famous teacher of the Academy of Fine Arts, Zong Qixiang was the first to use Western painting to transform Chinese landscape painting face to obtain success.
【作者单位】：美术观察;
【分类号】：J212

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