意象性在当代工笔画中的运用研究

发布时间：2018-02-11 18:01

本文关键词： 意象性工笔画绘画语言人文主义　出处：《湖南师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：意象是中国画审美情趣之一,意象并不只存在于某一特定历史时期或地理、文化区域。国画讲求意象,写作也讲求意象,西方绘画或其他艺术形式也有意象之说。意象在国画中,讲究“写意”,工笔尤为忌讳“僵化”、“呆板”,讲求“写意传神”。国画中的意象注重以画家主观的情感和审美趣味为主线,对客观的对象进行艺术提炼、加工,用绘画语言创作出符合时代、民族、个性特色的作品,寄托画家的情思,使我们在欣赏艺术作品时感受到物我相忘的意境。不同时期的绘画形式中,意象性的表现特征和侧重点也有所不同。在当代工笔画中,注重传统文化的继承和当代文化的发展；传承和发展了工笔古典“三矾九染”等画技法,又融入了西画的造型学、色彩学、构图学等知识；既用传统的国画颜料,又引进和开发了一系列新材料,在西方各种艺术思潮、观念、流派、技巧的碰撞下,工笔画的发展呈现出一种多元化发展的样貌。《城市里的猫》表现的是一只白猫穿梭于城市的曼妙风景。“猫’是一种极具个性的生灵,在海明威的笔下是女性意识的觉醒；在夏目的笔下是知识分子的一种生存状态；在韦伯的音乐剧中,猫不仅继承了艾略特笔下“好母亲”的形象,也塑造了一个“堕落女子”的形象,不仅赋予猫不同的特点,把那个世界中的善与恶表现得淋漓尽致。文学作品中的猫,利用猫眼来看这个世界,运用一种隐喻的手法来表达作者的思想和情感。在本系列工笔插画《城市里的猫》,运用绘画语言解读猫的灵性、高贵、敏感、慵懒的情感特质。在穿越时空、不需安排特定情节、不受特定环境影响、像诗一样表达心境的画笔下,以猫的视野,呈现她生活的城市有花香和音乐,有欣赏和期待,有惬意和惆怅……
[Abstract]:Image is one of the aesthetic tastes of Chinese painting. Image does not exist only in a particular historical period or geographical and cultural region. Western painting or other forms of art also have the theory of imagery. In traditional Chinese painting, imagery stresses "freehand brushwork", meticulous brushwork is particularly taboo "rigid", "rigid", and stresses "freehand brushwork". The image in traditional Chinese painting focuses on the painter's subjective emotion and aesthetic taste as the main line. The objective objects are refined, processed, and the artistic conception of objects forgotten by us is felt when we appreciate the works of art by creating works in accordance with the times, nationalities and personality characteristics in the painting language. In the painting forms of different periods, the expressive features and emphases of imagism are different. In contemporary meticulous painting, emphasis is placed on the inheritance of traditional culture and the development of contemporary culture, and the inheritance and development of fine brushwork classical painting techniques, such as "three alum, nine dyes," and so on. It also integrates the knowledge of modeling, color and composition of western painting, and introduces and develops a series of new materials by using traditional Chinese painting pigments. Under the collision of various artistic trends, ideas, schools and techniques in the West, The development of fine brush painting presents a diversified development. "Cat in the City" is the beautiful scenery of a white cat in the city. "Cat" is a very personal creature, in Hemingway's pen is the awakening of female consciousness, in Xia Mu's pen is a living state of intellectuals; In Weber's musical, the cat not only inherits Eliot's image of "good mother", but also shapes the image of "fallen woman", which not only endows cats with different characteristics, but also shows the good and evil in that world. The cat in the literary works, using the cat's eye to see the world, uses a metaphorical technique to express the author's thoughts and feelings. In this series of meticulous illustrations of the Cat in the City, the use of painting language to interpret the cat's spirituality, nobility, sensitivity, Languid emotional trait. Under the paintbrush, which does not need to arrange the specific plot, is not affected by the specific environment, and expresses the mood like a poem, in the view of the cat, the city in which she lives has flower fragrance and music, appreciation and expectation. Have contentment and melancholy.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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