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桂林山水画史料及发展脉络研究

发布时间:2018-02-11 21:18

  本文关键词: 桂林山水画 史料 发展脉络 画家及作品 出处:《广西师范大学》2013年硕士论文 论文类型:学位论文


【摘要】:笔者着手桂林山水绘画画家及作品的调查、考查和研究工作,按时间、空间顺序,将包括各表现形式在内的历代桂林山水绘画的数据资料按序编排,列制成表,写成调查报告。 桂林山水画是指以表现桂林山水为题材的绘画,其创作者与研究者并不限于桂林籍,体裁以中国画为主,也应包括油画、版画、水彩等绘画种类。作为桂林山水题材的绘画于宋代已见端倪,但直至元代未见传世作品。明代邹迪光拟米芾《阳朔山图》作了同名卷,至清末渐始渐兴起,20世纪进入兴盛期,表现桂林山水的画作可谓层出不穷。但毋庸讳言,桂林山水画研究至今薄弱,而在本来薄弱的桂林山水画研究方面首要的基础工作就是画家和作品的统计整理,无论查阅和考证,宏观把握还是个案专访,无疑都是该研究中的一个细致而艰辛的步骤。意在为桂林山水画发展研究提供基础性文本。 论文共分为五大部分进行论证,其中包括四章和结语。 第一章将宋代至清代桂林山水题材绘画的史料以时间为轴分类整理,对桂林山水画在清代以前极少画作传世的原因进行分析和论述。这一章分为三个部分,第一部分主要追寻宋代米芾《阳朔山图》的画迹,并尝试从鹦鹉山石刻《静江府城池图》找出早期桂林山水画的形态。第二部分以明代邹迪光的简介及《阳朔山图》(摹本)为主要内容。第三部分解读石涛与桂林山水的渊源,并寻觅清代临桂画家群的桂林山水绘画。 第二章主要列出近代(1840年—1919年)桂林山水题材绘画的画家及作品。由于大批文化人避兵至桂林,以桂林山水为题材的绘画也大量出现。随着美术运动的兴起,广西本地画家也拿起画笔,投身绘画创作中。有一部分画家甚至提出建立属于广西自己的画派的主张。 第三章和第四章以现当代桂林山水题材绘画的画家和作品为主要内容。桂林山水画至现代呈现出蓬勃发展的态势,画桂林山水的人数众多,表现形式多样。现当代的桂林山水画画家在学习传统中国画技法的同时,也受到了外来绘画的影响,他们正在探索一条传统艺术理念与现代技法相融合的道路。
[Abstract]:The author began to investigate, examine and study the landscape painters and their works in Guilin. According to the order of time and space, the data of the landscape paintings of the past dynasties, including various forms of expression, were arranged in order, made into tables and written into investigation reports. Guilin landscape painting refers to the painting with the theme of showing the landscape of Guilin. Its creators and researchers are not limited to Guilin's books. The genre is mainly Chinese painting, which should also include oil painting and printmaking. Watercolor and other painting types. As a theme of Guilin landscape painting has been seen in the Song Dynasty, but until the Yuan Dynasty did not see the works. The Ming Dynasty Zou Diguang mimic Mi Fu "Yangshuo Mountain Pictures" made the volume of the same name, until the late Qing Dynasty gradually began to rise into the prosperous period of the 20th century, The paintings that represent the landscape of Guilin can be described as endlessly emerging. But there is no denying that the study of the landscape painting in Guilin is so far weak, and the primary basic work in the originally weak study of landscape painting in Guilin is the statistics and collation of the painters and works. No matter consult and textual research, macroscopical assurance or individual case interview, are undoubtedly a meticulous and arduous step in this research, which is intended to provide the basic text for the research of Guilin landscape painting development. The thesis is divided into five parts, including four chapters and conclusion. The first chapter classifies the historical materials of Guilin landscape painting from Song Dynasty to Qing Dynasty with time axis, and analyzes and discusses the reason why few paintings were handed down before Qing Dynasty. This chapter is divided into three parts. The first part is mainly to trace the paintings of Mi Fu's "Yangshuo Mountain Pictures" in the Song Dynasty. In the second part, the brief introduction of Zou Diguang in Ming Dynasty and Yangshuo Mountain Picture (copy) are taken as the main contents. The third part interprets the origin of Shi Tao and Guilin landscape. And looking for the Qing Dynasty Lingui painters group of Guilin landscape painting. The second chapter mainly lists the modern (1840-1919) Guilin landscape painting artists and works. Because a large number of cultural people to avoid soldiers to Guilin, Guilin landscape painting also appeared in large numbers. With the rise of the art movement, Some local painters even put forward the idea of establishing their own painting schools. The third and 4th chapters mainly focus on the painter and works of modern and contemporary landscape painting in Guilin. The landscape painting in Guilin has developed vigorously from the modern times, and the number of people painting the landscape in Guilin is numerous. Modern and contemporary landscape painting painters in Guilin are learning traditional Chinese painting techniques, but also by the influence of foreign painting, they are exploring a traditional art concept and modern techniques to combine the road.
【学位授予单位】:广西师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J209.2

【参考文献】

相关期刊论文 前3条

1 秦仲文;悼念胡佩衡先生[J];美术;1962年03期

2 叶侣梅;论桂林山水与桂林山水画[J];社会科学家;1989年01期

3 郎绍君;;博识多能 一代名家——胡佩衡和他的艺术[J];中国书画;2008年03期



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