内蒙古当代本土油画色彩语言研究

发布时间：2018-02-15 10:55

本文关键词： 当代油画内蒙古油画色彩语言　出处：《浙江理工大学》2014年硕士论文　论文类型：学位论文

【摘要】：色彩语言作为一种用视觉传达感情的重要因素，它给人们带来的视觉冲击体现出创作者内心世界的真实想法。画家用绘画作品的色彩语言感染、打动欣赏者的内心。如何将思想和情感用色彩语言传达出来，让很多画家不断的追求和探索。很多画家由于生活，地域文化差异的原因，对艺术的审美意识、驾驭能力，以及对色彩语言的理解和发挥也是不同的。草原和游牧生活是内蒙古文化的最大特点，它与内地的农耕为基础的文化是有差异的。独特的地域环境和草原游牧文化造就了蒙古族独特的民族性格、文化类型、民间习俗、以及独特的民族审美观。这些资源是内蒙古当代本土油画色彩语言不可缺少的重要因素。内蒙古地域文化优势和人文精神已经潜移默化到内蒙古油画家的灵魂之中，并通过作品得以表现。他们都自觉的将这些优势运用到自己的油画创作中，具有本色、朴实、大气的艺术个性并形成别具特色的绘画风格。在作品的色彩语言表达上，始终以浓郁的内蒙古草原游牧生活和风俗民情为主，，着重色彩表现力，并且讲究精神审美，在有限的绘画空间内，让欣赏者感受到草原的气息。内蒙古当代本土油画在创作过程中重视油画色彩语言的研究，始终不断地从具有鲜明传统艺术特色的蒙古族民间美术的形式语言中来借鉴提炼养分,从而提高和完善丰富本土油画的艺术语言。内蒙古当代本土油画的色彩语言独特，情感内涵丰富、表现形式多样化。本文共分为四章：第一、内蒙古当代本土油画的概述，介绍本土油画如何在中国文化的框架下发展并兴起，以及各个时期色彩语言的发展特征；第二、运用结合内蒙古独特的文化底蕴，对内蒙古当代本土油画色彩语言的地域特征、抽象装饰特征以及色彩重置特征进行深入研究，并结合实例分析。第三、在参照当代本土油画色彩语言特征的情况下，结合中国传统水墨画的“写意精神”、蒙古族喜爱色、民间美术的年画、剪纸艺术、寺庙壁画、岩画、民族审美观等方面阐释内蒙古当代本土油画色彩语言的形成原因,以及其色彩语言与我国及西方其他民族油画色彩语言间的共同点与区别。第四、从多方面角度对内蒙古当代本土油画色彩语言进行拓展与思考。
[Abstract]:Color language is an important factor to convey feelings by vision. The visual impact it brings to people reflects the real idea of the creator's inner world. How to convey thoughts and feelings in color language, so that many painters can constantly pursue and explore. Many painters, because of the differences in life and regional culture, have the aesthetic consciousness and ability to control art. The understanding and development of color language are also different. Grassland and nomadic life are the greatest characteristics of Inner Mongolia culture. It is different from the farming culture in the interior. The unique regional environment and pastoral nomadic culture have created the unique national character, cultural type and folk customs of the Mongolian nationality. As well as unique national aesthetic standards. These resources are an indispensable factor in the contemporary local oil painting color language of Inner Mongolia. Inner Mongolia's regional cultural superiority and humanistic spirit have been imperceptibly transformed into the soul of Inner Mongolia oil painters. They have consciously applied these advantages to their own oil paintings, with a natural, simple and atmospheric artistic personality and a unique painting style. In the expression of the color language of the works, Always concentrated in the Inner Mongolia grassland nomadic life and customs, focusing on color expression, and pay attention to the spiritual aesthetic, in the limited painting space, Let the appreciator feel the flavor of the grassland. The contemporary native oil painting in Inner Mongolia attaches importance to the study of the language of oil painting color in the process of creation. From the form language of Mongolian folk art with distinct traditional art characteristics, we can learn from the refining nutrients, thus improving and perfecting the artistic language of enriching local oil painting. Inner Mongolia contemporary native oil painting color language is unique, the emotion connotation is rich, the expression form is diverse. This article altogether divides into four chapters: first, the Inner Mongolia contemporary native oil painting summary, This paper introduces the development and rise of local oil painting in the framework of Chinese culture, and the development characteristics of color language in various periods. Secondly, the paper uses the unique cultural background of Inner Mongolia to analyze the regional characteristics of the contemporary local color language of oil painting in Inner Mongolia. The abstract decorative features and color resetting features are studied in depth, and analyzed with examples. Thirdly, with reference to the color language features of contemporary local oil paintings and the "freehand brushwork spirit" of traditional Chinese ink painting, the Mongolian people like color. Folk art, paper-cut art, temple murals, rock paintings, national aesthetics, etc., explain the reasons for the formation of the color language of contemporary local oil paintings in Inner Mongolia. And the common ground and difference between its color language and other national oil painting language of our country and other western nationalities. 4th, from various angles, the paper develops and ponders the contemporary native oil painting color language of Inner Mongolia.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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