渐江山水画的现代性倾向研究

发布时间：2018-02-22 08:12

本文关键词： 渐江山水画现代艺术现代性倾向　出处：《淮北师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：中国美术史为我们描绘了一幅多姿多彩的美丽画卷,各种各样的美术样式和绘画流派构建了中国美术这座精神大厦。每一种绘画流派和每一位艺术家都为这座大厦贡献着自己的力量,在众多的绘画流派中对本人影响深远的一个流派就是清初“四僧”为代表的个性化风格。这些画家在当时是不被世人所看重的,他们与主流地位的绘画流派不同,在政治上与清朝统治者有很大矛盾,在艺术上他们大胆创新力求表现自己内心的真实感受来宣扬自己的独特个性。在“四僧”中对本人深远影响的一位画家就是渐江,渐江是一位个性非常鲜明的画家。他的作品体现出一种荒疏冷逸的艺术风格,在这种风格中隐藏着一些超越时代主流的艺术倾向,也可以说具有一种现代艺术的风格,这无疑是非常具有研究意义的课题。本文将从五个章节来论述渐江山水画的现代性倾向。第一章为绪论主要阐述本论文的整体研究思路,第二章从渐江山水画的创作历程出发介绍他不同时期山水画的风格和特点,第三章主要探究渐江山水画现代性倾向的形成原因,第四章主要从现代艺术的五个主要特征入手来论证渐江作品的现代性倾向,第五章主要从绘画艺术发展方面来论述渐江作品现代性对后世的影响。通过这篇论文的研究,希望能进一步探求这两者之间的联系,去论证渐江山水画是具有一定现代性的倾向和意味,并为当代山水画发展提供一些可行性的意见和思路。
[Abstract]:The history of Chinese art has painted us a colorful and beautiful picture. All kinds of art styles and painting schools built the spiritual edifice of Chinese fine arts. Each painting school and every artist contributed their own strength to the building. One of the many painting schools that has a profound influence on me is the individualized style represented by the "four monks" in the early Qing Dynasty. These painters were not valued by the world at that time, and they were different from the mainstream painting schools. Politically, there is a great contradiction with the rulers of the Qing Dynasty. In art, they make bold innovations and strive to express their true feelings in order to promote their unique personality. Jianjiang is a painter with a very distinct personality. His works embody a desolate and cold artistic style, in which some artistic tendencies are hidden beyond the mainstream of the times, or they can be said to have a style of modern art. This is undoubtedly a research topic of great significance. This paper will discuss the modernity tendency of Jiangjiang landscape painting from five chapters. The first chapter is the introduction, which mainly describes the overall research ideas of this paper. The second chapter introduces the style and characteristics of the landscape painting in different periods from the creative process of the landscape painting. The third chapter mainly explores the causes of the modernity tendency of the landscape painting. Chapter 4th mainly discusses the modernity tendency of Jiangjiang's works from five main characteristics of modern art. Chapter 5th mainly discusses the influence of modernity on later generations from the development of painting art. Hope to further explore the relationship between the two to demonstrate that the Jiangjiang landscape painting has a certain trend and meaning of modernity and provide some feasible ideas and ideas for the development of contemporary landscape painting.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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