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当代水墨人物笔墨与意境的融合

发布时间:2018-02-23 05:06

  本文关键词: 情景交融 笔 墨 意境 水墨人物 意义 新形态 出处:《河北师范大学》2014年硕士论文 论文类型:学位论文


【摘要】:中国画作为具有悠久历史的画种,与民族文化艺术的融合创新密不可分,如何将中国丰厚的传统文化底蕴和精神内涵融入到水墨绘画的创作中,使它成为具有民族特色的画种,一直是艺术家们探索的主要课题。中国绘画来源于书法和文学,意境是情与景的结合,,写景即写情,但更重要的还是表现人对自然的思想感情,见景生情,景与情要结合。只有把客观事物精粹部分的集中,加上人的思想感情的加工,达到情景交融,借景抒情,从而表现出的艺术境界,才称之为意境。 本文从意境这个中国艺术美学最重要的范畴来探讨中国水墨人物画在当代,呈现出进一步融合、创新和多元化的发展趋势。艺术家在接受传统文化时,也推进它的发展,因此才会对意境研究有意义。
[Abstract]:As a painting with a long history, Chinese painting is closely related to the fusion and innovation of national culture and art. How to integrate the rich traditional culture and spiritual connotation of China into the creation of ink painting, so as to make it a kind of painting with national characteristics. Chinese painting originates from calligraphy and literature, and artistic conception is the combination of emotion and scenery. Only by combining the essence of objective things with the processing of people's thoughts and feelings can the artistic realm be called artistic conception. This paper discusses the development trend of Chinese ink figure painting in contemporary times from the perspective of artistic conception, which is the most important category of Chinese art aesthetics, and presents a trend of further integration, innovation and diversification. When artists accept traditional culture, they also promote its development. Therefore, the study of artistic conception is meaningful.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 夏中义;;“境界说”新论[J];文艺理论研究;1993年03期



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