在传统媒材下看当代中国纸墨艺术表现

发布时间：2018-02-23 18:21

本文关键词： 媒材纸墨艺术传统元素笔墨精神绘画语言　出处：《沈阳师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：中国当代绘画进程中，历经与异域艺术观念的碰撞与融合，兼容并收，形成当下的艺术面貌。建国前后以“徐蒋”体系为代表的艺术理念，形成了中国画变革的第一次浪潮，进入五十年代，全面奉行前苏联的基础教学系统，对中国画的传统造型的冲击，可视为第二次浪潮，改革开放伊始“八五”思潮影响下的中国画开始在形式上进行多种尝试与探索，可看作中国画再次进入多元化表现的第三次浪潮，进入二十一世纪信息时代，西方后现代主义等多种文化意识研究的涌入，使中国画的表现形态，体现出更纯粹的艺术本体表现性，体现出一种“百花齐放”的整体态势。 “中国画”的表现范围在拓宽，，中国画由传统镇纸下绘画这种单一的表现形式走向多种样式形态，甚至从宣纸上走下来与雕塑，当代媒材，装置，电脑，设计等工具材料都涌入中国画创作。放眼当今的国际艺术领域，各类艺术作品所具有的叙事功能悄然的被艺术创作者自身的创造性取代。然而现阶段被各界艺术权威所肯定的中国当代艺术领域当中，鲜少有国内的艺术家对现代新兴的材料与媒介做系统的研究，艺术作者的人生经历和情商智商被中国古代与近现代革命时期的标志性形象与事迹等叙事与文学功能的部分在悄然发生变化，因而现在所能见的中国当代艺术对社会的批判经常多于对经典文化传统的进一步探索和对艺术本身的追求，更加缺少对现代工业和技术材料与媒介的敏感，相对的重点是对传统中国画的水墨技术的传承而非创新。在中国画的领域中，传统的文房四宝依然是创作材料的主流，笔墨纸砚仍然是基本元素。尽管笔与墨被保留沿用着，但“笔墨”的艺术趣味早已渐渐地变淡甚至溶解。科技的发展和人们观念的转变，出现了很多新的材料媒介，传统的毛笔逐渐被各式外来或者新型的工具代替，纤维、胶片、水性材料等，甚至先进的电脑科技的绘画软件中关于水墨的笔触笔刷就有成千上万种，“墨”本身的艺术效果在不同的程度上被削弱，但传统中国画元素中的水，墨，宣纸兼具的审美传统的“笔墨精神”，千年的文化积淀和人文情怀是很难被其新的材料媒介或是技法所替代的；笔、墨、宣纸等作为创作材料，在具体的艺术创作中体验与应用是独具东方艺术特性的，是体现独创性与民族性的。当代艺术家们创造性的把握与开拓的应用，为当代中国纸墨艺术，为当代国际艺术的多样性表现中提供了一种东方式的当代艺术表现样式。
[Abstract]:In the process of Chinese contemporary painting, after the collision and amalgamation with the foreign artistic concepts, the contemporary art outlook is formed. The artistic concept represented by the "Xu Jiang" system before and after the founding of the people's Republic of China, formed the first wave of the reform of Chinese painting. In 50s, the basic teaching system of the former Soviet Union was fully implemented, and the impact on the traditional form of Chinese painting could be regarded as the second wave. At the beginning of reform and opening up, under the influence of the "eighth Five-Year Plan" trend of thought, Chinese painting began to make a variety of attempts and explorations in form, which can be regarded as the third wave of Chinese painting once again entering the pluralistic performance and entering the information age in 21th century. The influx of western postmodernism and other cultural consciousness studies makes the performance form of Chinese painting more pure artistic Noumenon performance, and reflects the whole situation of "a hundred flowers blossom". The scope of expression of "Chinese painting" is widening. Chinese painting has moved from a single form of traditional paperweight painting to a variety of styles, and even walked down from Xuan paper to sculpture, contemporary media, installations, computers, Design and other tools are flooded into the creation of Chinese painting. Looking at the international art field today, the narrative function of various kinds of art works is quietly replaced by the creativity of the artistic creators themselves. However, in the field of contemporary Chinese art, which is affirmed by the art authorities from all walks of life at this stage, Few domestic artists have done systematic research on modern and emerging materials and media. The author's life experience and emotional intelligence quotient (EQ) were quietly changed in the narrative and literary functions of the iconic images and deeds of ancient and modern Chinese revolution. As a result, contemporary Chinese art is often more critical of society than of the further exploration of classical cultural traditions and the pursuit of art itself, and is even less sensitive to modern industrial and technological materials and media. The relative emphasis is on the inheritance of traditional Chinese painting ink painting technology rather than innovation. In the field of Chinese painting, the traditional "four treasures" are still the mainstream of creative materials, and the ink and pen paper and inkstone are still the basic elements, although the pen and ink are retained. However, the artistic taste of "pen and ink" has gradually faded and even dissolved. With the development of science and technology and the change of people's ideas, many new material media have emerged. Traditional brush brushes are gradually replaced by various kinds of foreign or new tools, fiber, film, There are thousands of ink brushes in water-based materials and even in the drawing software of advanced computer science and technology. The artistic effect of "ink" itself has been weakened to varying degrees, but the water and ink in the elements of traditional Chinese painting have been weakened. The "spirit of pen and ink" of the aesthetic tradition of Xuan paper is difficult to be replaced by its new material medium or technique, and the cultural accumulation and humanistic feelings of the millennium are difficult to replace; pen, ink, rice paper and so on are used as creative materials. The experience and application in the concrete artistic creation is unique in oriental art, it is the embodiment of originality and nationality. The application of creative grasp and development of contemporary artists is for the contemporary Chinese paper and ink art, It provides an eastern style of contemporary art expression for the diversity of contemporary international art.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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