揉进年画艺术风格的动画创作探索

发布时间：2018-02-26 14:08

本文关键词： 中国动画传统年画动画创作文化内涵审美　出处：《沈阳建筑大学》2013年硕士论文　论文类型：学位论文

【摘要】：动画作为一门独特的艺术形式,与其他艺术形式一样都脱离不开其肥沃的文化土壤。每一部优秀的动画作品,不管是从它的艺术风格还是主题思想上都流露出本民族的文化特征,在动画角色、人物性格、动作、台词、场景、道具的设计甚至是主题的设定等方面都或多或少的带有本民族的文化烙印。中国动画的发展与中国传统民间艺术有着不解之缘。早期的中国动画,在动画剧本、题材上吸收了中国传统民间故事题材中的有益养分,在动画造型艺术上汲取了中国传统民间美学的精髓,在动画文化思想上传承和发展了中国传统民间文化的精神内涵,使中国动画具有了独特的民族内涵和艺术魅力,也是传统与现代的一次沟通。中国元素的合理运用,将帮助我国的动画产业有一个新的发展,创作品质有一个新的提高。只要将动画这个现代高新技术植根于我国民族文化的肥沃土壤中,借用新时代的审美情趣与先进的技术手法来深究传统文化的精神内涵,就能重新塑造出新时代的具有民族独特的艺术风趣和艺术形象的民族动画。传统民间年画,是民间文化艺术中最具代表性的一门艺术,以其独特造型和鲜明的特征给世人留下了深刻的印象。现代动画借助其广泛的媒介传播和灵活的表现手法,可以试图将传统年画的画面元素应用到动画里,动画借鉴年画的喜悦、吉祥的意境,提炼年画的艺术特征,取其精华去其糟粕,传承民族文化精髓的同时,还拓宽了动画的表现范围,增加了动画的新形式,探索出既具有鲜明民族文化特征又具有精湛技术的动画现代作品。本文以传统年画为考察对象,从中提取可供中国动画创作汲取的创作词汇,并对其艺术特征进行深刻剖析,追溯中国动画和传统年画的历史文化关联、表现形式关联、意境传达关联,找出动画创作与民间年画传承的结合点。借助现代动画高科技的电脑技术手段和灵活的表现手法,挖掘传统年画中有价值的艺术文化内涵,作为中国动画艺术的创作源泉,使民族文化的精髓更好地融入到动画艺术中去。并探讨了将纸上的“静”与影视的“动”相融合的可能性和优势性,从而找出适合中国动画长久发展的新道路。在水墨动画之外,创作出中国独具一格的年画动画,给传统年画注入新鲜的生命力,赋予其新的审美内涵,使中国动画深深扎根于民族文化的土壤中,以其鲜明的民族特色,独特的艺术形式,传播文化,打动世界。
[Abstract]:As a unique art form, animation, like other art forms, can not be separated from its fertile cultural soil. Whether from its artistic style or its theme, it reveals the cultural characteristics of its own nation, in animated characters, characters, actions, lines, scenes, The design of props and even the setting of themes are more or less imprinted with their own culture. The development of Chinese animation has an inextricable relationship with Chinese traditional folk art. The early Chinese animation, in terms of animation scripts and themes, absorbed the beneficial nutrients of Chinese traditional folk stories. Drawing the essence of Chinese traditional folk aesthetics in animation plastic arts, inheriting and developing the spiritual connotation of Chinese traditional folk culture in the thought of animation culture, making Chinese animation have unique national connotation and artistic charm. It is also a communication between tradition and modernity. The rational use of Chinese elements will help our animation industry to have a new development and create a new quality. As long as animation, the modern high and new technology, is rooted in the fertile soil of our national culture, By borrowing the aesthetic interest of the new era and advanced technical techniques to explore the spiritual connotation of traditional culture, we can remodel the national animation with the unique artistic humor and image of the nation in the new era. Is one of the most representative folk culture and art art, with its unique shape and distinctive characteristics left a deep impression on the world. Modern animation with its extensive media dissemination and flexible expression techniques, We can try to apply the picture elements of the traditional New year painting to the animation. The animation can draw lessons from the joy and auspicious artistic conception of the New year Pictures, refine the artistic features of the New year Pictures, take its essence away from its dross, and pass on the essence of the national culture at the same time. It also broadens the scope of animation, increases the new form of animation, and explores modern animation works with distinctive national cultural characteristics and exquisite techniques. This article takes the traditional New year Pictures as the inspection object, extracts the creation vocabulary which can be absorbed by the Chinese animation creation, and carries on the profound analysis to its artistic characteristic, tracing back the historical and cultural connection and the expression form correlation between the Chinese animation and the traditional New year Pictures. The artistic conception conveys the connection, finds out the animation creation and the folk New year painting inheritance union point. With the aid of the modern animation high-tech computer technology means and the flexible expression technique, excavates the traditional New year painting valuable artistic and cultural connotation, As the fountainhead of Chinese animation art, the essence of national culture is better integrated into animation art, and the possibility and superiority of combining "static" on paper with "moving" of film and television are discussed. To find out a new way for the long-term development of Chinese animation. In addition to ink and water animation, to create a unique Chinese New year animation, to inject new vitality into the traditional New year painting, and give it a new aesthetic connotation. Chinese animation deeply rooted in the soil of national culture, with its distinctive national characteristics, unique art form, spread culture, move the world.
【学位授予单位】：沈阳建筑大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.3;J954

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