“满密”图式语言在山水画中的研究

发布时间：2018-03-03 16:31

本文选题：满密　切入点：图式语言　出处：《广州大学》2013年硕士论文　论文类型：学位论文

【摘要】：伴随着社会发展和历史前进的脚步，中国山水画在继承传统笔墨的同时探索了一条符合自身发展规律的创新之路。无论从图式语言、笔墨敷色还是题材主题等方面都可以看出创新与发展的历史痕迹。其中,山水画图式语言创新最为突出，画家终其一身都在探寻属于自我个性的图式语言以实现自我的艺术追求。本文在梳理山水画历史发展的基础上，深入分析了传统山水画图式语言以及现当代山水画图式语言的基础上，得出了“满密”图式语言作为山水画的一种特殊画风，受到许多山水画家们的探索和青睐。提出“密满”图式语言这一概念，，重点论述了“满密”图式语言的特点，特别剖析了“满密”图式语言在现当代山水画中的个性发展。并结合自我山水画的创作实战，从实践中加以探索和论证“满密”图式语言的深层含义以及创作体验。
[Abstract]:With the pace of social development and historical progress, Chinese landscape painting, while inheriting the traditional pen and ink, explores an innovative road that conforms to its own development law. The historical traces of innovation and development can be seen in the aspects of painting and ink painting color application or theme. Among them, landscape painting schematic language innovation is the most prominent. The painter is searching for the schematic language which belongs to his own personality in order to realize his artistic pursuit. On the basis of combing the historical development of landscape painting, this paper deeply analyzes the traditional landscape painting schema language and the modern and contemporary landscape painting schema language, and concludes that the "full dense" schema language is a special painting style of landscape painting. It has been explored and favored by many landscape painters. The concept of "dense Man" schema language is put forward, and the characteristics of "Man Man" schema language are emphatically discussed. In particular, it analyzes the personality development of "full secret" schema language in modern and contemporary landscape painting, and explores and demonstrates the deep meaning and creative experience of "full secret" schema language from practice.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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