论靳尚谊和安格尔人物油画轮廓线的形式美

发布时间：2018-03-05 12:30

本文选题：油画　切入点：人物画　出处：《西安美术学院》2014年硕士论文　论文类型：学位论文

【摘要】：轮廓线，，物体的“外部线条、边缘线条、边缘呈虚实线条”，在任何艺术构图中以单独或群体形式出现，体现在景物、人体等事物最外边缘的轮廓界线，是物与物之间、物与衬托背景之间的“显性界线”。也是绘画的重要表现形式之一,它是作为物象造型最原始的勾勒也是最终确定造型是否成功的最重要评判,而在油画作品的表现方面,轮廓线具有艺术观赏上、艺术创作上，无可替代的价值。本论文重点研究对比论证，中、外两位对人物油画在轮廓线上有独到理解与表现追求的画家，他们油画中轮廓线的形式之美。
[Abstract]:The "outer line, edge line, edge of an object which appears in any artistic composition in the form of an individual or a group, and is embodied in the boundary of the outermost edge of things, such as the scene, the human body, and between objects," The "dominant boundary" between the object and the background is also one of the most important forms of painting. It is the most primitive outline of the object shape and the most important judgment to determine whether the modeling is successful or not, and in the aspect of the performance of the oil painting, The contours have the value of artistic appreciation and artistic creation. This paper focuses on the comparative study and demonstration, in which there are two painters who have a unique understanding and performance pursuit of the figure oil painting on the contours. The beauty of the contours in their paintings.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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