西双版纳题材花鸟画中色彩氛围的探究

发布时间：2018-03-05 17:00

本文选题：西双版纳　切入点：题材　出处：《云南师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：艺术来源于生活是大家不争的事实，中国画论中“外师造化，，中得心源”，“搜尽奇峰打草稿”也是阐述生活与艺术二者的关系。中国画中花鸟画也不例外，其按着这个规律发展。作为一门独立的艺术也是中国艺术绘画的一朵奇葩，实为东方艺术所独有，并流行于南亚、东南亚和南亚诸多国家。本文主要是论述西双版纳题材花鸟画的色彩氛围，对版纳题材花鸟画的色彩表达有了更深层的认识，并把对画面的色彩氛围的营造与画家自身的感情联系起来，以及把地域环境对色彩氛围的影响相结合，进而从新的角度解读了花鸟画艺术。也开拓了当代花鸟画色彩发展的一个新领域。同时也想表达花鸟画要有所作为，必须深入生活，到大自然界和深山大川中去感受和体会从而使得创作更加赋予内涵而不只是满足于一花一叶肤浅的寓意。
[Abstract]:The fact that art originates from life is an indisputable fact. In Chinese painting theory, "creation by a foreign teacher, a source of heart" and "searching Qifeng and draft" are also illustrative of the relationship between life and art. The flower-and-bird painting in Chinese painting is no exception. As an independent art and a wonderful flower in Chinese art painting, it is unique to the oriental art and popular in South Asia. Many countries in Southeast Asia and South Asia. This paper mainly discusses the color atmosphere of flower-and-bird painting in Xishuangbanna, and has a deeper understanding of the color expression of flower-and-bird painting in Banna. And the creation of the color atmosphere of the picture is linked to the feelings of the painter himself, as well as the influence of the regional environment on the color atmosphere. Furthermore, it interprets the art of flower-and-bird painting from a new angle. It also opens up a new field for the color development of contemporary flower-and-bird painting. At the same time, it also wants to express that the flower-and-bird painting wants to make a difference and must go deep into life. To experience and experience in the world of nature and deep mountains and rivers, so that the creation is more endowed with connotation than merely satisfied with the superficial meaning of one flower and one leaf.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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