从仕女图中解读唐代女性服饰艺术风貌及对现代歌舞表演服装设计的启示

发布时间：2018-03-07 00:33

本文选题：唐代　切入点：仕女图　出处：《大连工业大学》2013年硕士论文　论文类型：学位论文

【摘要】：唐朝是一个辉煌、外向的时代，衣饰华丽灵秀，唐代女性服饰是“拿来主义”艺术的成功范例，既继承了隋朝大气之风又融汇了外族服饰的精髓，并逐渐发展成中国衣饰的最高峰。夺目的色彩，精致的工艺，华贵的图案，大气的款式，尊贵中显出窈窕多姿，折射出昂扬饱满的时代风范。这与唐代开明的统治阶级、活跃发展的经济,与外来文化积极交流有着密切的关系。四海升平的大唐盛世造就了中国封建社会文化的巅峰，服饰文化作为唐代文化的一部分,同样在这辉煌的300年间创造出了服饰历史上的神话。而女性服饰作为其最具代表性的组成部分,更能体现出朝代独特的艺术风貌。唐代的《虢国夫人游春图》、《簪花仕女图》都是唐风的代表,为唐代仕女服饰打上了深刻的时代烙印。同时展现了唐代女性对于服饰美的追求及审美风尚。本课题以唐代仕女图中女性服饰为载体，研究绘画中所蕴含的审美趣味。在照相机出现以前的中国，人们便只能依靠文字和语言的描述来揣摩前朝历代的世态人情，而这种方式显然有欠直观的，绘画艺术的存在就成为了人们长久保存影像的方法，它帮我们一点点记录数千年来历史的变迁，我们可以清楚地感受到大唐盛世中那些华贵窈窕仕女举手投足，一颦一笑，体会她们渡过的时光。理解这个时代开放，自由，华美，大气的服饰风格。唐代珍爱和欣赏人体的生命之美,其对女性身体的解放和美化在中国服装史上是独树一帜的。曼妙的腰身，薄透的纱罗和裸露的胸颈都恰当的展示了人体的自然美质，从对唐代女性服饰的研究，可以体会到唐代仕女图审美趣味的无穷魅力和恒久的精髓。如何对待民族化与世界性，以及如何看待技术美与艺术美关系等问题，，唐代的服饰艺术正是拿来主义成功运用的缩影,它在维系中原传统文化内核的基础上,结合自身特点大胆地选择,能动地吸收,进行创新发展,为当今服装设计领域的继承、借鉴与创新提供了很好的范例。
[Abstract]:The Tang Dynasty was a brilliant, extroverted era, with splendid clothes and ornate ornament. Women's clothing in the Tang Dynasty was a successful example of the art of "bringing forth a doctrine", inheriting the atmosphere of the Sui Dynasty and merging the quintessence of the dress of foreign nationalities. And gradually developed into the highest peak of Chinese clothing. Dazzling colors, exquisite craftsmanship, magnificent patterns, atmospheric style, noble in the display of graceful, reflects the full style of the times. This with the Tang Dynasty enlightened ruling class, The active development of the economy is closely related to the positive exchange of foreign cultures. The flourishing era of the Tang Dynasty, when the seas rose, created the peak of the culture of China's feudal society, and the dress culture was a part of the culture of the Tang Dynasty. In the same glorious 300 years that created the myth of clothing history, and women's clothing as its most representative component, It can also reflect the unique artistic style of the dynasty. In the Tang Dynasty, the "Spring Pictures of the Lady of the Guo State", the "pictures of the ladies of the flower of the hairpin" are the representatives of the Tang Dynasty. At the same time, it shows the women's pursuit of dress beauty and aesthetic fashion in Tang Dynasty. This topic takes the female dress in the Tang Dynasty female figure as the carrier, studies the esthetic taste contained in the painting. Before the camera appeared in China, people could only rely on the words and language description to guess the world human feelings of the previous dynasties. And this way is obviously not intuitive, and the existence of the art of painting has become a way for people to keep images for a long time. It helps us record the changes of history over thousands of years little by little. We can clearly feel those graceful ladies in the prosperous times of the Tang Dynasty, and they walk, smile, and experience the time they have spent. Understand the openness, freedom, beauty of this era, Tang Dynasty treasured and appreciated the beauty of human life, its liberation and beautification of the female body is unique in the history of Chinese clothing. The thin and transparent sarro and the bare neck both properly show the natural beauty of the human body. From the study of the women's clothing in the Tang Dynasty, we can understand the infinite charm and the lasting essence of the aesthetic taste of the Tang Dynasty ladies' drawings, and how to treat the nationalization and the world. And how to look at the relationship between the beauty of technology and the beauty of art, the dress art of the Tang Dynasty is the epitome of the successful use of the doctrine. It is based on the maintenance of the core of the traditional culture of the Central Plains, boldly chooses according to its own characteristics, and dynamically absorbs it. Carrying on the innovation and development provides a good example for the inheritance, reference and innovation in the field of fashion design.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TS941.2;J205

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