八大山人花鸟画“虚实观”研究

发布时间：2018-03-10 16:47

本文选题：虚实观　切入点：笔墨　出处：《中央美术学院》2017年硕士论文　论文类型：学位论文

【摘要】："虚实观"有着很深的哲学渊源,既隐含于禅宗思想里,也体现在道家思想中。在中国画的画面中无不渗透着"虚实观"。"虚实观"是中国画的审美观念,中国画中讲究笔墨的浓淡、疏密、提按节奏与空间布白之美,即计白当黑,通过有笔墨处引起人们对无笔墨处的意外联想,以求达到"点画之间皆有意"。本文在对八大山人的身世、年表、交友、诗抄、题款进行详细分析的基础上,结合八大山人在思想上有禅道兼容并蓄的倾向,对其作品中的"虚实观"展开讨论,笔者收集了大量的作品资料,以时间为基点从笔墨与布白两个方面对八大山人不同时期的作品进行分析。首先是从笔墨的角度来分析虚实观,有笔处浓淡相间、干湿有致、虚实相生。其次是从空白的角度来分析,笔墨与布白本身就是虚实对比,布白的虚实、大小应有节奏,才能使画面的意境更空灵幽远。
[Abstract]:There is a deep philosophical origin in "the view of reality and vanity", which is not only implied in Zen thought but also reflected in the thought of Taoism. In the picture of Chinese painting, it is permeated with "view of reality and reality", which is the aesthetic idea of Chinese painting. Chinese painting pays attention to the thick and thin of ink and brush, and puts forward the beauty of white by rhythm and space, that is to say, when white is black, it causes people's unexpected association of no pen and ink through the place of pen and ink. In order to achieve "the intention between painting". On the basis of detailed analysis of the life, chronology, friendship, poetry copy and theme of the Bada Mountain people, this paper combines the ideological tendency of the eight Great Mountain people to be tolerant of Zen and Taoism. The author has collected a great deal of materials about his works, and discussed the concept of "the reality and the emptiness" in his works. On the basis of time, this paper analyzes the works of the eight great mountain people in different periods from the aspects of pen and ink and cloth white. First of all, from the perspective of pen and ink, it analyzes the concept of virtual reality. Secondly, from the perspective of blank analysis, pen and ink and cloth white itself is the contrast between reality, white, size and rhythm, in order to make the artistic conception of the picture more empty and distant.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】