李可染山水画艺术形式的独特美感

发布时间：2018-03-13 10:45

本文选题：中国山水画　切入点：李可染　出处：《曲阜师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：中国当代山水画较之传统山水画发生了翻天覆地的变化，当代中国山水画家在自己的作品中越来越积极地表现事物内在本质，特别注重表达自己对这个社会的理解感受，特别注重在画作中表达自己对现实所持的情感态度，他们注重的是人内在的世界，内心的呐喊。他们已不再简单地按外形描绘自然，而是把他们对整个世界，整个自然界的感受集中起来，加以提炼，直至找到其独特性山水为止。李可染先生无疑是这群使传统山水画走向绘画新纪元旅程中起着重要转折作用的当代艺术家之一。在意境表达方面，李可染先生的水墨画以石涛“笔墨当随时代”这一信条为理念，更加注重描绘自然和人类生活的和谐相处，更加主动积极地在画面中表达自己对这个工业社会中山水田园之精华的理解，致力于将形势与情境达到高度统一。在笔法技能方面，李可染先生的创新之处就在于完全舍弃传统笔墨符号法式，运用笔法和墨法的配合，共同创造了线的灵动和墨的苍润。在形象塑造方面，李可染先生把水墨山水画中的山水形象已发展成为客观具体存在物的转换与投胎，山水画家主观情感积极能动虚拟外化的结晶物。他山水画形象即不表现具象，不死忠于客观事物的自然形态，而是集中概括出山水之魂。在色彩改革方面，李可染先生更是大胆学习西方对光和色追求，受到西画中采用逆光的启发，结合西方绘画在色彩上的研究成果，作画运用明暗处理方法，在取古法之精华，去西法之糟粕中完成了自己色彩上的嬗变，形成了新的图像模式。李可染先生笔下的山水画史近现代史上改革的一座丰碑，他的创作之所以区别与传统而又成为恒久不衰的经典首先是因为他在自己的画作中展现了“自我”，画作中蕴含着深深的民族性和时代性。他注重将感性真实和对象个性的特色融入中国画的笔墨形式中，破除了传统写意山水画辗转相承的陈旧程式，作品中注入了富有民族性的现代特色和新鲜的生命血液，，由此而逐渐形成了自己的独特风貌。研习李可染山水画独特性为我们以后写生创作提供了标本，也为探索中国山水画的创新开创了新思路。
[Abstract]:Compared with traditional landscape paintings, contemporary Chinese landscape paintings have undergone earth-shaking changes. Contemporary Chinese landscape painters are more and more active in expressing the intrinsic nature of things in their own works, paying special attention to expressing their understanding and feelings of this society. They pay special attention to expressing their emotional attitude towards reality in their paintings. What they pay attention to is the inner world of human beings, the inner cry. They no longer simply depict nature by shape, but they put them to the world as a whole. The feelings of the whole nature are concentrated and refined until the unique landscape is found. Mr. Li Keran is undoubtedly one of the contemporary artists who played an important turning role in the journey of traditional landscape painting to the new era of painting. In terms of artistic conception expression, Mr. Li Keran's ink and wash painting takes Shi Tao's creed of "pen and ink as the times" as the idea, and pays more attention to describing the harmony between nature and human life. More proactive in the picture to express their understanding of the essence of this industrial society landscape idyllic, committed to achieve a high degree of unity between the situation and the situation. The innovation of Mr. Li Keran lies in the complete abandonment of the traditional style of ink symbols and the use of the cooperation of strokes and ink methods to create the intelligence of lines and the greiness of ink together. In terms of image shaping, Mr. Li Keran has developed the landscape image in the ink and wash painting into the transformation and reincarnation of the objective and concrete existence, and the subjective emotion of the landscape painter actively moves the crystallization of the virtual externalization. The image of his landscape painting does not show any concrete image. In color reform, Mr. Li Keran is even more bold in learning the pursuit of light and color in the West, inspired by the use of inverse light in Western paintings. Combined with the research results of western painting in color, the painting uses the method of light and shade processing, in taking the essence of the ancient method, went to the dregs of the western law to complete their own color evolution, forming a new image model. A monument of reform in the modern history of landscape painting written by Mr. Li Keran, The reason why his works are different from tradition and become enduring classics is first of all because he shows "self" in his paintings, which contain deep national character and epochal character. For example, the characteristics of personality are integrated into the form of strokes and ink in Chinese painting, In addition to the old formula of traditional freehand brushwork, modern characteristics and fresh blood of life have been injected into the works. As a result, it gradually formed its own unique style and features. The study of Li Keran's unique landscape painting provided us with specimens for future sketching and creation, and also opened up a new way of thinking for exploring the innovation of Chinese landscape painting.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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