论动画与绘画之间的重要关系

发布时间：2018-03-13 11:31

本文选题：绘画　切入点：动画　出处：《河北师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：本论文的题目是论动画与绘画之间的重要关系,虽然大部分人认为绘画和动画之间确实存在着一些联系,至于这关系在动画的制作中起到了多大的作用,往往却是众说纷纭,如拿动画大师宫崎峻来说,他的动画做得是世界一流,但没有人称他为绘画大师。如果说他不是绘画大师,但为什么又能做出那么好的动画来呢? 由此可见,我们必须要认真研究绘画和动画之间的关系。这种关系不是一种大的关系,是绘画与动画之间互相渗透到双方各种方面和各种局部中的一种关系。只有理清绘画与动画之间的关系,才能以绘画为基础,掌握动画的特殊要求,熟练运用动画制作中的绘画方法来成功、高质地制作动画,这可以说是这次研究的重要目的之所在。在这次研究中,采用的是一种系统的研究方法,先从动画的制作的现状与发展谈起,让大家明白什么是动画,动画的原理是什么,目前的发展现状是什么样的,动画都分类了哪几种类型。在论述绘画与动画的大关系中,首先指出大家所共认的绘画是动画的基础和保证,但在这个大关系之中,则展开论述了普通绘画的要求和方法,接着深入论述绘画在动画中的特殊要求。动画中的绘画其实分为两大部分,前一部分是指绘制动画造型,即用线条绘制造型,后一部分就是上色。动画中的绘画和绘画中的造型、构图与色彩都有既有联系又有区别的联系,在构图方面,绘画的构图只在单张方面进行推敲,然后在动画的绘画中则不仅仅是这面,需要后续的一系列的帧或是镜头中都要保持这种科学、正确的构图法,这样才能保证动画的可欣赏性。在色彩方面,动画的上色更有其特定的要求,由于电影动画、电视动画、以及网络动画传播的方式不同,因此,在色彩创作的时候,就要考虑到最终画面效果的因素。可见,绘画和动画在原理方面既有联系又有区别,绘画首先是动画的基础和保证,是动画的前提,在绘画与动画的绘制作方法上,二者都有其专门的方法和要求,普通绘画显得更随意一些,而动画则必须有专门的工具和独特的要求,在动画的绘制作过程中,需要深刻理解绘画中对造型、构图、色彩的各种原则。并要把这种理解运用到指导动画绘画中的过程中,而动画又是动态的,所以又要必须在不断的动态中不断地符合绘画中的一些基本规律和原则。比如动画中的每一个镜头其实就是一幅绘画,而这种绘画不仅要在每一帧中符合正确的构图原则,同时要在不断运动中而不断形成的新的绘画的画面中都要符合绘画中的构图规律。以上所述均是绘画与动画之间的关系。
[Abstract]:The topic of this thesis is on the important relationship between animation and painting. Although most people think that there are some connections between painting and animation, however, there are different opinions about how much this relationship has played in the production of animation. For example, animation master Miyazaki Jun, his animation is world-class, but no one calls him a master of painting. If he is not a master of painting, but why can make such a good animation? So we have to really study the relationship between painting and animation. It's not a big relationship. Painting and animation permeate each other in various aspects and parts of each other. Only by clarifying the relationship between painting and animation can we master the special requirements of animation on the basis of painting. Skilled use of animation in the painting method to succeed, high texture animation, this can be said to be an important purpose of this study. In this study, we adopted a systematic research method, starting with the current situation and development of animation production, so that we can understand what is animation, what is the principle of animation, and what is the current development situation. Which types of animations are classified. In the discussion of the great relationship between painting and animation, it is pointed out that the common painting is the basis and guarantee of animation, but in this great relationship, the requirements and methods of ordinary painting are discussed. Then it discusses the special requirements of painting in animation. The painting in animation is actually divided into two parts. The first part refers to drawing animated modeling, that is, drawing modeling with lines, and the latter part is painting in animation and modeling in painting. There are both connections and differences between composition and color. In composition, the composition of a painting is studied only in the form of a single sheet, and then in the drawing of animation, it is not just this side. This kind of science and correct composition should be maintained in a series of frames or lenses that need to be followed in order to ensure the appreciability of animation. In terms of color, animation color has its own specific requirements, because of film animation, television animation, And network animation spread in different ways, therefore, in color creation, we should take into account the final picture effect factors. It can be seen that painting and animation are both related and different in principle. Painting is the basis and guarantee of animation, and is the premise of animation. Both have their own special methods and requirements in drawing and making methods of animation. Ordinary painting is more casual, and animation must have special tools and unique requirements, in the animation production process, need a deep understanding of the painting of modeling, composition, The principles of color. Apply this understanding to the process of guiding animation, which is dynamic, So we have to constantly conform to some of the basic laws and principles of painting in constant motion. For example, every lens in an animation is actually a painting, and this kind of painting should not only conform to the correct composition principle in every frame. At the same time, the new painting should be in accordance with the law of composition in the painting, which is the relationship between painting and animation.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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