古希腊绘画、雕塑实践对其模仿理论形成的影响

发布时间：2018-03-13 17:31

本文选题：古希腊　切入点：绘画　出处：《南京艺术学院》2014年硕士论文　论文类型：学位论文

【摘要】：古希腊的模仿艺术（mimesis）概念相当于西方现代意义上的“美的艺术”概念，包括诗歌、悲剧、喜剧、绘画、雕刻和音乐等多种艺术。苏格拉底、柏拉图和亚里士多德这三位哲学家，在关于艺术的模仿对象、模仿方式、模仿艺术与现实的关系、模仿艺术的社会功能等方面问题的讨论中，都对这一概念作出了自己独特的贡献。苏格拉底的模仿理论完全建立在绘画和雕塑实践基础之上，而在柏拉图和亚里士多德的模仿理论形成中，绘画、雕塑实践对其产生了一定的影响，但两者谈及模仿艺术均涉及诗歌、音乐和戏剧等，尤其在亚里士多德的笔下，模仿艺术更多的是针对诗歌和悲剧而言。因此，可以肯定地说，古希腊绘画、雕塑对其模仿概念产生很大的影响，但并非像塔塔尔凯维奇所说的那样完全“是反思绘画和雕刻所得出来的一项成果”。
[Abstract]:The concept of imitating art in ancient Greece is equivalent to the concept of "art of beauty" in the modern sense of the West, including the arts of poetry, tragedy, comedy, painting, sculpture and music.Socrates, Plato and Aristotle are three philosophers. In the discussion on the object of imitation, the way of imitation, the relationship between imitation art and reality, and the social function of imitation art, all of them have made their own unique contribution to this concept. Socrates' imitation theory was completely based on the practice of painting and sculpture, but in the formation of Plato's and Aristotle's imitation theory, painting and sculpture practice had a certain influence on it. But both talk about the art of imitation, which involves poetry, music, drama, etc., especially in Aristotle's writings, the art of imitation is more about poetry and tragedy. Sculpture has a great influence on the concept of imitation, but it is not completely "a result of reflection on painting and sculpture" as Tatarkeevich put it.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205;J305

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