《千里江山》代表的是当代传统话语地位

发布时间：2018-03-16 02:27

本文选题：千里江山图　切入点：青绿山水　出处：《美术观察》2017年11期 　论文类型：期刊论文

【摘要】：正以北宋画家王希孟的传世巨作《千里江山图》为中心的青绿山水画大展已在故宫博物院隆重登场,跟三十多年没见面的观众再次会晤,一起出演青绿大戏的还有以这件作品为中心的历代青绿山水画。几十年来,我为这件作品含有的那种刻意经营的故作淡定的气息所困扰,总觉得这是一件给心如古潭的老人看的画,或是给生活在动荡不安中的人们提供的想象中的安全港湾般的避世场所:悠远而虚无的向往和寂静而无波澜的生活。更有一点像寂静版《桃花源》——
[Abstract]:The grand exhibition of green landscape paintings, centered on Wang Ximeng, a painter of the Northern Song Dynasty, whose masterpiece, "Thousand Lilies and Mountains", has been handed down, has made a grand debut at the Palace Museum, where he has met again with viewers who have not seen him for more than 30 years. Along with the green drama are the green landscape paintings of the past dynasties, which are centered on this piece. For decades, I have been troubled by the deliberate management of this work. I always felt that it was a painting for the old man with a heart like an ancient pond. Or an imaginary safe haven for people living in turmoil: a distant, nihilistic yearning and a quiet, undaunted life. It's more like the Silent version of Peach Blossom.
【作者单位】：青海省美术馆;
【分类号】：J212

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