论巴蜀景物对现代山水画家的启示

发布时间：2018-03-16 10:42

本文选题：巴蜀景物　切入点：山水画　出处：《河北师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：新中国成立前后三十年,中国涌现出的这批山水画大家引得世人注目,在这个中国新旧文化过渡和中西文明强烈对撞交织的时代,注定文化创新的到来是必然的。这么多绘画精英一时间汇聚巴蜀之地,堪称盛况空前,除了有外敌入侵,文化人南迁这个特定的历史背景外,巴蜀特定的地理位置和多变的自然景色也是重要因素。蜀中自然风光无限,气候变化多样,历史文化悠久,这些因素也深深的吸引着画家。现代山水画家们在巴蜀景物中得到启示,他们的作品形成各自独特面貌,而其他画种画家的作品风貌则没有山水画家的印记这么深,这个现象值得思考。现在看来,一批现代山水画家在那个时期短短几十年完成了转身,去除了陈腐气,新面貌产生了。但是,这种变化是不是一种山水画应该提倡和效仿的范本,还需要历史的检验。本文试图通过对巴蜀自然景物的探寻,联系特定历史时期的山水画创作,探究现代山水画家的作品风貌,意在找寻中国山水画在继承传统基础上进行创新的一些启示。论文共五部分。绪论部分列举部分古代文人画家的巴蜀景物情结,并把历史推移到二十世纪,论述这一时期文化艺术创新的必然性,为论文正文作铺垫;第一章行走巴蜀,重在介绍巴蜀的独特气候和独特地貌,论述巴蜀景物的丰富多样性;第二章二十世纪上半叶山水画家集聚巴蜀现象,旨在找寻著名画家的巴蜀生活游历足迹;第三章论述巴蜀景物对现代山水画家的启示;结论部分对这批现代山水画家入蜀后作品风貌作出总结,并指出对当代山水画家产生了影响。文章不会给出一个肯定的研究结论,而且探讨这样的话题也不可能有唯一的固化结果。当然,这样的探寻能不能指导我们的山水画创作还不得而知,也并不重要。论文的目的是以这样一个全新角度去学习研究这一时期的山水画家及其作品,找到某种内在艺术思维的关联作用,启迪读者。
[Abstract]:Thirty years before and after the founding of the people's Republic of China, this batch of landscape paintings that emerged in China attracted the attention of the world. In this era when China's old and new cultures are strongly intertwined with Chinese and Western civilizations, Doomed to the arrival of cultural innovation is inevitable. So many painting elites gathered in a single time Bashu land, can be described as unprecedented, in addition to the invasion of foreign enemies, cultural people moved to the south of this specific historical background, The special geographical location and changeable natural scenery of Bashu are also important factors. The natural scenery in Shu is limitless, the climate is varied, and the history and culture are long. These factors have also attracted painters deeply. Modern landscape painters have been inspired by the Bashu landscape. Their works have formed their own unique features, while other painters' styles and features are not so deep as those of landscape painters. This phenomenon is worth thinking about. Now it seems that a group of modern landscape painters completed their turn in just a few decades during that period, removed the stale atmosphere and created a new look. This kind of change is a kind of landscape painting should be advocated and imitated as a model, also need the historical test. This article attempts to link the landscape painting creation of a specific historical period through the exploration of the natural scenery of Bashu. The purpose of exploring the style and features of modern landscape painters is to find some inspirations for Chinese landscape paintings to innovate on the basis of inheriting tradition. The introduction part enumerates some ancient literati painters' Bashu landscape complex. In the first chapter, the author introduces the unique climate and landforms of Bashu, and discusses the rich diversity of the landscape of Bashu, and discusses the necessity of cultural and artistic innovation in this period, which lays the groundwork for the text of the thesis. The first chapter is devoted to introducing the unique climate and landforms of Bashu, and discussing the rich diversity of the landscape in Bashu. The second chapter focuses on the Bashu phenomenon in the first half of 20th century, in order to find the famous painters' footprints in the life of Bashu, the third chapter discusses the inspiration of the landscape to modern landscape painters. The conclusion part summarizes the styles and features of these modern landscape painters after their entry into Shu, and points out that they have had an impact on contemporary landscape painters. Moreover, it is impossible to discuss such a topic with the sole result of solidification. Of course, it is not clear whether such a search can guide our landscape painting creation. The purpose of this paper is to study the landscape painters and their works in this period from such a new angle, to find out the relevance of some internal artistic thinking, and to enlighten the readers.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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