超越视觉—中国古代绘画中的画中画

发布时间：2018-03-16 21:03

本文选题：超越视觉　切入点：中国古代绘画　出处：《青岛科技大学》2015年硕士论文　论文类型：学位论文

【摘要】：中国画独特的绘画特色令无数人为之赞叹,对于意境美的讲求使得对画面的布局十分讲究,画面中出现的一笔一墨都是经过画家悉心琢磨的,都有其存在的意义,对于我们研究画面本身蕴含的特殊含义具有不可小觑的作用。“画中画”作为一种独特的画面组成素材,以各种不同的物体为载体出现在画面之中,而对于其上所呈现的画面,以及载体本身对画面产生的作用往往容易被人忽视。本文试图通过对出现的“画中画”形式从载体的形式上进行划分,将最常出现的屏风、扇子、镜子、画像这几种形式分门别类的进行细致的分析。从不同的载体对于画面空间以及内容、情感的辅助表达到对其上所承载的不同形式的绘画内容进行梳理分析,使我们对于整幅画面的解读能够从这种新的视角来剖析,从而更加全面的了解画家在这幅作品之中所蕴藏的情感内容。“画中画”的出现甚至为我们解答了不少画家藏于画中的谜题。对于几种不同载体形式的“画中画”进行比较分析,能使我们更好地把握每一种形式所独有的特色,了解它们对于画面内容、情感所特有的辅助、补充、传达的功能。同时与西方绘画中的“画中画”形式进行比较,使我们从侧面更加清楚地掌握中国绘画中“画中画”的特色,通过一系列的分类、对比研究,从而丰富我们的研究视角,对于“画中画”这一从细节中以小见大的研究方法,必将为我们研究艺术的道路再辟新径从而走进中国美术史。
[Abstract]:The unique painting characteristics of Chinese painting have impressed countless people. The emphasis on the beauty of artistic conception makes it very particular about the layout of the picture. Every stroke of ink in the picture is carefully pondered by the painter and has its own meaning of existence. For us to study the special meaning of the picture itself has a significant role. "painting in picture" as a unique composition of the picture material, with a variety of different objects as the carrier in the screen, but for the picture presented on it, And the effect of the carrier itself on the picture is often ignored. This paper attempts to divide the form of the carrier into the "picture-in-picture" form, which is the most common screen, fan, mirror. The portraits are classified and analyzed in detail. From the different carriers for the picture space and the content, the auxiliary expression of emotion to the different forms of painting content carried on the carding and analysis, So that our interpretation of the whole picture can be analyzed from this new perspective. Thus more comprehensive understanding of the emotional content of the artist in this painting. The appearance of "painting in Pictures" even solves the puzzles that many painters have hidden in paintings. A comparative analysis of several different carrier forms of "painting in Pictures" has been carried out. It will enable us to better grasp the unique characteristics of each form, to understand their unique functions in terms of picture content, emotional assistance, supplement and communication, and to compare them with the "picture-in-picture" form of Western painting. So that we can have a clearer understanding of the characteristics of "picture-in-picture" in Chinese painting from the side, through a series of classification and comparative studies, thus enriching our research perspective. For "picture-in-picture", we can see the whole research method from a small part of the details. It will open a new way for us to study art and enter the history of Chinese art.
【学位授予单位】：青岛科技大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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