对麦绥莱勒木刻组画现实主义特性的研究

发布时间：2018-03-18 00:03

本文选题：麦绥莱勒　切入点：现实主义特性　出处：《内蒙古师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：法朗士·麦绥莱勒是比利时画家，经历了两次世界大战，一生创作木刻无数，但连续性木刻组画是其一生最为辉煌的成就。在二战这样的历史背景下，麦绥莱勒无论是在创作思想还是创作内容或是创作的形式上都深刻的烙上了反战的情绪。本文主要围绕他一生中创作体裁最为广泛的木刻组画进行研究，分别从内容、形式、艺术形象以及思想情感这几方面来对他的木刻组画的现实主义特性展开分析。在内容上的简单明了、通俗易懂，这符合当时大部分欣赏者的欣赏水平，形式的符号性与象征性可以隐晦的向欣赏者诉说着一些社会现象或者影响着欣赏者的生活态度。艺术形象的典型性和真实性客观的再现了当时的社会生活，同时也自然地体现了他的主观精神，为其思想情感的客观提供了现实依托。思想情感上的客观性和节奏性为麦绥莱勒连续性木刻组画中的内容、形象、形式等注入了鲜活的血液，让每一册木刻组画在思想情感上都具有了鲜明的立场和生机勃勃的活力。研究这个课题的意义在于可以把麦氏木刻组画的现实主义特性运用到当代黑白木刻版画的创作中，在创作中一定要紧密联系社会生活，要多写生并且在写生的过程中善于发现，善于收集。对麦氏木刻组画中内容形式、艺术形象、思想情感这几方面的学习不仅仅限于理论的了解，更要付诸实践，多看多想多练，，把这几方面紧密的联合在一起。只有这样，才会在黑白木刻版画的创作过程中，达到内容形式上统一、艺术形象上饱满、思想情感上与欣赏者产生共鸣。麦氏木刻组画的现实主义特性对当代木刻语言能平易近人的被大众化接受有着直接的启示意义。
[Abstract]:Frances Mizilele was a Belgian painter who lived through two world wars and created countless woodcuts in his life, but the continuous woodcut group was the most brilliant achievement of his life. In a historical context like World War II, Whether in terms of creative thought, content or form of creation, McSuilele is deeply branded with anti-war sentiments. This article mainly focuses on the study of the woodcut group painting of the most extensive genre in his life, in terms of content and form, respectively. Artistic image and thoughts and emotions to his woodcut group painting realistic characteristics of the analysis. Simple and clear in content, easy to understand, which is in line with the appreciation of most of the audience at that time, The symbolism and symbolism of the form can express some social phenomena to the appreciator or affect the attitude of the appreciator. The typicality and authenticity of the artistic image objectively reappear the social life of that time. At the same time, it naturally reflects his subjective spirit and provides realistic support for the objectivity of his thoughts and emotions. The objectivity and rhythm of thought and emotion are the contents and images of the continuous woodcut group paintings of Mizulele. Form and other injection of fresh blood, so that each volume of woodcut group painting in the ideological and emotional have a clear stand and vitality. The significance of studying this subject lies in that we can apply the realistic characteristics of Mak's woodcut group paintings to the creation of contemporary black-and-white woodcut prints, and in their creation must be closely connected with social life. We should draw more sketches and be good at discovering and collecting in the process of sketching. The study of the content form, artistic image, thought and emotion of the Mak woodcut group painting is not only limited to the understanding of theory, but also needs to be put into practice, more attention should be given to practice, more attention should be given to practice, and more attention should be given to practice. Combine these aspects closely together. Only in this way can we achieve unity in content form and full artistic image in the process of creating black-and-white woodcut prints. The realistic features of the Mak's woodcut group paintings have direct enlightenment to the popular acceptance of contemporary woodcut language.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217

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