中国意象油画中的“笔意”表现研究

发布时间：2018-03-18 10:13

本文选题：意象油画　切入点：“笔意”　出处：《延边大学》2013年硕士论文　论文类型：学位论文

【摘要】：在中国传统文化背景的影响下,意象油画既是中国特有的绘画风格,也是世界上独特的绘画形式。作为一种绘画艺术,意象油画能够显示出它独特的中国韵味和精神内涵。它既能表达中国传统文化精神,有表现出中国传统审美理念。中国意象油画的表现形式有很多种,而“笔意”是中国意象油画中独特的绘画表现形式之一,它是一种新兴的绘画形式,既能表现画家情感,又包含中国独特的韵味。 “笔意”一词最早出现在中国画中,它是中国写意画中具有中国艺术审美特征的用笔方式,“‘笔意’就是要意在笔先,画家下笔时要心使腕运,以一种特定的思想情感意念去驱使笔墨,才能因意成像,以像达意。”“笔意”在中国意象油画中的表现形式不同于西方油画,它主要体现在点、线、面的处理上。点的表现不仅要和油画材质相结合,还要融合画家的思想启蒙；线的运用主张把中国书法中的“写”运用到油画创作中；面在画面中的处理主要是受佛教的影响,产生了“留白”效果,把绘画技法和油画颜料充分的结合起来。中国意象油画中“笔意”的运用,是中国传统绘画审美思想的充分体现,同时也是意象油画在当代背景下的文化内涵和精神理念的体现。本文从“笔意”内涵、“笔意”表现形式、“笔意”的审美特征等方面入手,分析中国意象油画中的“笔意”表现研究,总结出意象油画必须将内容与形式相统一、精神内涵与传统理念相统一、传统审美与时代精神相统一,才能够体现出意象油画独特的风格与内涵,展现出民族文化精神,满足大众审美需求。其中最重要的一点就是任何艺术都必须具备本民族自己的特色,能够与时俱进。因此,笔者认为在意象油画的创作中要充分结合中国传统绘画的精神理念、情感表达和画面意境,才能创作出有中国传统文化内涵的油画作品,使中国传统艺术不断升华与突破,使中国意象油画独立于世界艺术之林。
[Abstract]:Under the influence of Chinese traditional culture background, image oil painting is not only the unique painting style of China, but also the unique painting form in the world. Image oil painting can show its unique Chinese charm and spiritual connotation. It can not only express the spirit of Chinese traditional culture, but also show Chinese traditional aesthetic idea. And "pen meaning" is one of the unique forms of painting in Chinese image oil painting. It is a new form of painting, which can not only express the painter's emotion, but also contain the unique charm of China. The word "pen meaning" first appeared in Chinese painting. It was a way of using the pen in Chinese freehand brushwork with the aesthetic characteristics of Chinese art. Using a particular kind of thought and emotion to drive the pen and ink, the image can be imaged because of meaning. "the expression of" pen meaning "in Chinese image oil painting is different from that in western oil painting. It is mainly reflected in points and lines. In dealing with the surface, the expression of the dot should not only be combined with the oil painting material, but also be integrated with the painter's ideological enlightenment; the use of the line advocates that the "writing" in Chinese calligraphy be applied to the oil painting creation; and the treatment of the face in the picture is mainly influenced by Buddhism. The application of "pen meaning" in Chinese image oil painting is the full embodiment of Chinese traditional painting aesthetic thought. At the same time, it is the embodiment of the cultural connotation and spiritual idea of image oil painting in the contemporary background. Starting with the connotation of "pen meaning", the expression form of "pen meaning" and the aesthetic characteristics of "pen meaning", this paper analyzes the expression of "pen meaning" in Chinese image oil painting, and concludes that image oil painting must unify the content and form. Only when the spiritual connotation and the traditional idea are United, the traditional aesthetics and the spirit of the times can be unified, the unique style and connotation of the image oil painting can be embodied, and the national cultural spirit can be displayed. To meet the aesthetic needs of the masses, the most important point is that any art must have its own national characteristics and be able to keep pace with the times. Therefore, the author believes that the spirit of traditional Chinese painting should be fully integrated in the creation of image oil paintings. Only by emotional expression and artistic conception can we create oil paintings with the connotation of Chinese traditional culture, make Chinese traditional art sublimate and break through, and make Chinese image oil painting independent of the world art.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【参考文献】