黄秋园山水画艺术风格研究

发布时间：2018-03-18 23:18

本文选题：黄秋园　切入点：山水画　出处：《西北师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：在20世纪初，中国画坛出现了令大多数画家迷茫而又不知所措的现象，其中一个主要的原因就是西方绘画的融入。由于西方绘画的强烈冲击，美术界的一些学者也叹中国画“穷途末路”，很多人对绘画开始产生了疑问，到底绘画的道路应该如何继续，甚至有的人认为中国绘画唯一的出路就是同西方绘画所结合。所以，当时的中国画坛在新中国成立以后一大批画家开始了变革，“创新”就成为人们的唯一目的，很多人开始改变自己原有的风格，绘画形式也更趋向当时的社会要求。就在当时画坛争论的同时，生前几乎不为人知的山水画传统大师黄秋园脱颖而出，，在绘画界引起了强烈的反响。他在艺术的道路上坚持着传统的审美观念，怀揣自己对绘画的执着理念，把以出生于裱画工人画家对祖国江山的高山仰止之情，以及他对中国画传统远非表层的领悟呈现在专业画家面前，从而引起了震动、叹服与沉思。人们开始普遍认识到“穷途末路”的中国画并非奄奄一息，相反的是在黄秋园的作品中它显示了柳暗花明的前景。
[Abstract]:In early 20th century, most painters were confused and confused in the Chinese painting world. One of the main reasons was the integration of Western painting. Some scholars in the field of fine arts also sighed that Chinese painting was "the end of the road." many people began to question how painting should continue. Some even thought that the only way out for Chinese painting was to combine it with Western painting. At that time, after the founding of New China, a large number of painters began to change. "Innovation" became the only purpose of the people. Many people began to change their original style. The form of painting is also more in line with the social demands of the time. At the same time when the painting world was arguing, Huang Qiuyuan, a traditional master of landscape painting who was almost unknown in his lifetime, stood out. In the painting world caused a strong response. In the art of the road to adhere to the traditional aesthetic concept, with his own persistent concept of painting, to be born in the painting workers painter's high mountain feelings of the motherland, As well as his understanding of the traditional Chinese painting is far from superficial, it is presented in front of the professional painters, causing shock, admiration and contemplation. People begin to realize that "the end of the road" of Chinese painting is not dying. On the contrary, in Huangqiuyuan's works, it shows a bright future.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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