六朝山水画论中的“形神观”及影响研究

发布时间：2018-03-19 06:01

本文选题：六朝　切入点：形神观　出处：《渤海大学》2014年硕士论文　论文类型：学位论文

【摘要】：形神范畴是中国传统绘画理论及美学的核心价值所在，而六朝时期是中国传统山水画兴起成熟的一个重要阶段，奠定了中国山水画论的基础。本文探讨了六朝时期山水画论中“形神观”形成及对后世影响，并探讨了“形神观”在山水画创作及画论中的延续。文章首先阐释六朝时期山水画论形成的理论基础，认为魏晋玄学对绘画中的“形神观”有一定影响，“形神”概念引入山水画论对魏晋南北朝时期山水审美及山水画创作均有积极作用，并促进山水画论对立的出现。同时画家、名士则从山水绘画的创作、欣赏的角度深入解析山水画。这样在实践、理论两方面都做好了充分准备的条件下，山水画论的形成、成熟也就水到渠成。其次，本文从宗炳的《画山水序》以及梁元帝的《山水松石格》入手，论证了“形神观”从人物画转向山水画的过程，不论“澄怀味象”、“造化为灵”，，都来源于东晋顾恺之的“以形写神”，本文重点论述了他们之间的内在延续性。最后，本文分别从山水画创作与山水画理论两方面阐释了后世山水画中对六朝山水精神的继承，认为六朝山水画论中的“形神观”，对后世山水画创作及山水画理论均产生深远影响。
[Abstract]:The category of form and spirit is the core value of Chinese traditional painting theory and aesthetics, and the six dynasties period is an important stage of the rise and maturity of Chinese traditional landscape painting. This paper probes into the formation and influence of the concept of "form and spirit" in the theory of landscape painting in the six dynasties, and discusses the continuation of "view of form and spirit" in the creation of landscape painting and the theory of painting. The article first explains the theoretical basis of the formation of landscape painting theory in the six dynasties. It is believed that metaphysics in Wei and Jin dynasties has a certain influence on the concept of "form and spirit" in painting, and that the introduction of the concept of "form and spirit" into the theory of landscape painting has a positive effect on landscape aesthetics and landscape painting creation during the Wei, Jin and Northern and Southern dynasties, and it also promotes the emergence of antagonism in landscape painting theory. On the other hand, from the angle of creation and appreciation of landscape painting, celebrities deeply analyze landscape painting. Under the conditions that both practice and theory have been fully prepared, the formation of landscape painting theory will become natural when it matures. Secondly, Starting from Zong Bing's the preface of painting landscape and Liang Yuandi's landscape pine stone, this paper demonstrates the process of changing from figure painting to landscape painting in the view of form and spirit. No matter whether it is "clear and fragrant" or "making it into spirit", it comes from Gu Kaizhi's "writing spirit in form" in the Eastern Jin Dynasty. This article focuses on the internal continuity between them. Finally, This article separately from the landscape painting creation and the landscape painting theory two aspects has explained the later generation landscape painting to the six dynasties landscape spirit inheritance, believed that the six dynasties landscape painting theory "form spirit", has the profound influence to the later generation landscape painting creation and the landscape painting theory.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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