论蔡鹤洲的艺术

发布时间：2018-03-19 14:39

本文选题：中国画　切入点：蔡鹤洲　出处：《西北大学》2014年硕士论文　论文类型：学位论文

【摘要】：本论文以广义“长安画派”之代表人物蔡鹤洲作为个案对象,对其进行综合研究,以求对中国现当代美术史研究作以少许弥补与丰富。蔡鹤洲(1912-1971)民国时期即同其兄长蔡鹤汀一起活跃于福州、上海等地,其创作成就及影响曾一度成为民国画坛的焦点。新中国成立后迁居西安,继续潜心绘画创作,为西北地区的当代中国画发展做出很大贡献。蔡鹤洲的艺术创作题材丰富,风格鲜明,兼具南韵北势,并融汇西方表现手法,独备一格,影响广大,为20世纪中国美术史上的重要画家,但因为种种历史原因,一直没有得到应有的评价与研究,乃至屡屡被遮蔽。本论文在采集与引用大量实证材料的基础上,采用综合分析和对比研究等方法,对蔡鹤洲的艺术生涯、艺术风格和艺术精神进行整体梳理与论证,以期恢复其在现当代中国美术史应有的学术地位和学术价值,并以此拓展对蔡鹤洲艺术研究的进一步深化。
[Abstract]:This thesis takes Cai Hezhou, the representative figure of Changan painting School, as a case study, and makes a comprehensive study of it in order to make up for and enrich the study of Chinese modern and contemporary art history. Cai Hezhou (1912-1971) during the Republic of China, he was active in Fuzhou, Shanghai and other places with his older brother, Cai Heting. His creative achievements and influence once became the focus of the Republic of China painting world. After the founding of New China, he moved to Xi'an and continued to concentrate on painting. Cai Hezhou has made great contributions to the development of contemporary Chinese painting in the Northwest region. Cai Hezhou's artistic creation is rich in subject matter, distinctive in style, both in the south and in the north. In 20th century, as an important painter in the history of Chinese art, but due to various historical reasons, has not been evaluated and studied, and has been hidden. This paper is based on collecting and quoting a large number of empirical materials. By means of comprehensive analysis and comparative study, Cai Hezhou's art career, artistic style and artistic spirit are combed and demonstrated in order to restore his academic status and academic value in modern and contemporary Chinese art history. And in order to expand the further deepening of Cai Hezhou art research.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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