潘天寿的笔墨实践与“格调说”

发布时间：2018-03-19 17:53

本文选题：潘天寿　切入点：格调说　出处：《美术》2017年06期 　论文类型：期刊论文

【摘要】：正潘天寿的绘画和画论有两大贡献,一是笔墨结构,二是格调说。从笔墨方面看,潘天寿对于绘画创作和绘画教育所作的贡献,是他创下了一套属于自己的笔墨结构,即绘画形式语言的风格性体系。这个体系的成就高低,难度、复杂性,以及评价标准、依据,都是从绘画作品背后的金字塔结构而来,从人格理想、人格信仰的追求和旨归而来。明确认识"笔墨结构"作为"人格迹化"的表征系统,才能深入体会、阐释潘天寿的画作与
[Abstract]:There are two major contributions to Pan Tianshou's painting and painting theory, one is the structure of the pen and ink, the other is the style of painting. From the perspective of pen and ink, Pan Tianshou's contribution to painting creation and painting education is that he has set up a set of his own pen and ink structure. That is, the stylistic system of the formal language of painting. The achievement, difficulty, complexity, and evaluation criteria of this system are all derived from the pyramid structure behind the painting, from the ideal personality. The pursuit and purport of personality belief. To understand clearly the "structure of pen and ink" as a system of representation of "personality trace", we can deeply understand and explain Pan Tianshou's paintings and works.
【作者单位】：中央美术学院;
【分类号】：J212

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