蒙古族羊毛毡烙画艺术探究

发布时间：2018-03-19 21:08

本文选题：烙画　切入点：民间艺术　出处：《沈阳大学》2017年硕士论文　论文类型：学位论文

【摘要】：烙画又称“烫画”,是用高温加热过的金属工具在木板、丝绢或者宣纸上“烙”出来的画作,烙画展现了华夏民族自古以来对线条美感的追求,古时有“火笔刺绣”的美称,是我国民间艺术的一朵奇葩。上世纪八九十年代,烙画与漆艺曾名噪一时,不少美术工作者与民间艺人投入到烙画的创作中来,但是烙画却没有像漆艺一样,在时代的浪潮中繁盛起来,由于缺乏“领头人”等原因,烙画逐渐变为缺乏创造性的普通工艺品,甚至出现了对于烙画定位低端的评价。现如今,随着文化产业建设的逐步推进,我国对于传统艺术的保护力度不断加强,精致的烙画作品越来越多的出现在人们的视野中,蒙古族羊毛毡烙画便在这时逐渐成长起来。蒙古族羊毛毡烙画使用蒙古人民日常生活中随处可见的“羊毛毡”作为创作材料,羊毛毡的使用遍及蒙古族日常生活中的方方面面,材料易得,又易于烙画画面的表现。羊毛毡烙画作画工具使用高温加热过的烙铁进行创作,题材新颖且颇具蒙古族特色。随着民间艺人们对羊毛毡烙画的不断地推进创新,将国画、油画等多种画类的技巧融会贯通,创作出一幅幅精美的羊毛毡烙画作品。本文通过查询文献记载与田野调查的方法,探究蒙古族羊毛毡烙画的制作工艺,并结合其现状简要探讨蒙古族羊毛毡烙画的传承与推广。
[Abstract]:Branded painting, also known as "hot painting," is a painting that is "branded" on boards, silk or rice paper with hot metal tools. It shows the pursuit of the beauty of lines by the Chinese people since ancient times. In ancient times, there was the name "fire pen embroidery". In 0th century, in the eighties and nineties of our country, painting and lacquer painting became famous, and many art workers and folk artists put themselves into the writing of branded paintings, but branded paintings did not look like lacquer art. Flourished in the tide of the times, due to the lack of "leader" and other reasons, branded painting gradually turned into a lack of creative ordinary handicrafts, and even appeared to the low end of the brand painting evaluation. Nowadays, With the gradual development of cultural industry, the protection of traditional art in our country has been strengthened, and more and more fine branded paintings appear in people's view. The Mongolian wool felt brand painting grew up at this time. The Mongolian wool felt brand painting used the Mongolian people's daily life everywhere "wool felt" as the creation material, the wool felt use throughout the Mongolian daily life every aspect, The material is easy to obtain, and it is easy to carve the performance of the painting picture. The wool felt brand painting tool is created with hot heated iron, and the subject matter is novel and has Mongolian characteristics. As folk artists continue to promote the innovation of wool felt branded painting, The techniques of traditional Chinese painting, oil painting and other kinds of paintings have been integrated into each other, and a number of fine pieces of wool felt branded paintings have been created. This paper, by means of consulting the literature records and field investigation, explores the production technology of Mongolian wool felt branded paintings. Combined with its present situation, this paper briefly discusses the inheritance and popularization of Mongolian wool felt brand painting.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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