《程氏墨苑》图像研究

发布时间：2018-03-22 00:28

本文选题：程氏墨苑　切入点：图像环路　出处：《中央美术学院》2014年硕士论文　论文类型：学位论文

【摘要】：《程氏墨苑》由明万历年间安徽歙县制墨名家程大约辑刻，画家丁云鹏、吴廷羽等绘图，徽州黄氏木刻名工黄应泰、黄应道等镌刻。本文并非只是一篇关于《程氏墨苑》的文章，是想借《程氏墨苑》来说图像的复制与流动，而不是孤立地研究某一艺术门类或风格。在当时和现在的著述与评判体系中，绘画被认为是中国艺术的主体，，大量存在于其他承载物上的复数性图像则被简略提及并认为是次等地位，然而笔者认为不仅是图像的生成，图像的复制与流动本身也蕴含着巨大的价值，催生着创新。因此，笔者试图借用“图像环路”的概念来研究《程氏墨苑》中的图像，这部书收录了传统的制墨范式，挪用并改造了绘画作品，以传统木刻的方式转化了西方圣经题材铜版画，摹刻了文人书法篆刻及罗马拼音，转化了其他工艺品的图像和造型，是图像环路中的重要连接点。流动的图像在不同的承载物之间转化，材料特殊性限制了图像的表达，同时也赋予图像以不同的材料美感。更重要的是，当图像形成环路快速交互运动时，一定会促进社会中某些节点的进化，例如，促进了彩色印刷技术的成熟，推动了文化间的循环交流，也使原有的艺术门类间产生互相渗化的现象。同时《程氏墨苑》是由“文人”与“艺匠”共同创造的，本文也试图消解由创作者、消费者的社会地位来决定的绘画与工艺间的地位悬殊。
[Abstract]:Cheng's Moyuan was collected from famous Mo artists in Shexian County, Anhui Province during the Ming Dynasty. The painters Ding Yunpeng, Wu Tingyu and other drawings, Huang Yingtai, a famous woodcarver in Huizhou, Huang Ying-dao and others are engraved. This article is not just an article on "Cheng's Moyuan". It is intended to use "Cheng's Moyuan" as an example of the reproduction and flow of images. Instead of studying an art category or style in isolation, painting was regarded as the subject of Chinese art in the writing and judging system at that time and in the present. A large number of complex images, which exist on other loaders, are briefly mentioned and regarded as inferior status. However, the author thinks that not only the generation of images, but also the reproduction and flow of images have great value, which leads to innovation. The author tries to use the concept of "Image Loop" to study the images in "Cheng's Moyuan". This book contains the traditional ink making paradigm, misappropriates and modifies painting works, and transforms the Western biblical copperplate in the way of traditional woodcut. Imitating literati calligraphy and seal cutting and Roman pinyin, transforming the images and shapes of other handicrafts, which is an important connecting point in the image loop. The flowing images are transformed between different loaders, and the material particularity limits the expression of the images. It also gives the image a different material aesthetic. More importantly, when the image forms a loop of rapid interaction, it is bound to contribute to the evolution of certain nodes in society, for example, to the maturity of color printing technology. It promotes the circular communication between cultures, and also causes the phenomenon of infiltration among the original art categories. At the same time, Cheng's Moyuan was created jointly by "literati" and "artisans". This paper also tries to dispel the creators. The social status of consumers determines the difference between painting and craftsmanship.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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