手绘实验动画中的材质语言研究

发布时间：2018-03-22 06:23

本文选题：手绘实验动画　切入点：材质语言　出处：《东北师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：动画称之为“画”的艺术，手绘实验动画也是实验动画中最主要、也是最重要的表现形式之一，具有很强的艺术价值和美学价值。实验动画在内容上与形式上的探索，对动画的发展具有很强的启示性和预见性，，为主流的商业动画提供了新的创作手法和表现形式。画面的材质组成，是动画艺术形式的重要组成部分。艺术家以材料为媒介，以视觉艺术的形式展现和传达信息，无论是在赛璐珞片上创作的动画，还是当今更简单易操作的无纸动画。艺术家都是借助画面的材质语言抒发其内心的感受，通过不同材质组合的画面，可以让观者直观的读出艺术家所传达出的信息，使动画的表达要比文字更直接、生动和直观。欧美、日本等国关于手绘实验动画的研究已取得显著成绩。但国内外关于实验动画基本理论的著作较少，很少有专门涉及材质应用方面的理论研究。仅有的少数报道也只局限于定格动画中材料的运用。关于材质在手绘实验动画中的应用，缺少更深层次的理论指导。随着科技的发展，与传统的手绘实验动画相比，实验动画在单线平涂基础上，通过新媒介的探索发现，更多的材质开始运用到手绘实验动画的创作中。因此，对手绘实验动画材质的研究，意义尤为重要。本文独辟思路，以材质语言的应用为研究对象，从对国内外优秀手绘实验动画作品及笔者在短片创作中的实践着手，以材质语言为切入点，深入研究材质语言在手绘实验动画短片创作中的应用。概括了材质语言在手绘实验动画中的应用现状，对手绘实验动画创作中材质语言的应用普遍存在的问题，进行了深入的剖析和理性归纳。总结了材质语言运用的创新研究方法，希望为动画创作者提供一定参考价值。
[Abstract]:Animation is called "painting" art, hand-drawn experimental animation is also the most important, but also one of the most important forms of expression, has a strong artistic value and aesthetic value. Experimental animation in content and form of exploration, It has strong enlightenments and foresight for the development of animation, and provides new creative techniques and forms of expression for mainstream commercial animation. The composition of the material of the picture is an important part of the animation art form. The artist presents and conveys information in the form of visual art in the medium of material, whether it is animation created on celluloid film, Still, today's simpler and easier to operate paperless animations. Artists express their inner feelings with the help of the language of the material of the picture. Through the pictures of different material combinations, the viewer can intuitively read out the information conveyed by the artist. Make animation more direct, vivid and intuitive than words. In Europe, America, Japan and other countries, remarkable achievements have been made in the study of hand-drawn experimental animation, but there are few works on the basic theory of experimental animation at home and abroad. Few theoretical studies have been devoted to the application of materials. Only a few reports have been limited to the use of materials in fixed animation. With the development of science and technology, compared with the traditional hand-drawn experimental animation, experimental animation on the basis of single-line flat painting, through the exploration of new media found, More materials begin to be used in the creation of hand-drawn experimental animation, therefore, the research on the material of hand-painted experimental animation is particularly important. This paper takes the application of the material language as the research object, starting from the excellent hand-drawn experimental animation works and the author's practice in the short film creation, taking the material language as the breakthrough point. This paper deeply studies the application of material language in the creation of hand-drawn experimental animation short films, summarizes the current situation of the application of material language in hand-drawn experimental animation, and discusses the common problems in the application of material language in hand-drawing experimental animation creation. This paper makes a deep analysis and rational induction, summarizes the innovative research methods of the use of material language, and hopes to provide some reference value for animation creators.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;J218.7

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